On the occasion of the trial of a young woman, Elsa (Claude Nollier), who practiced euthanasia on the person of her lover, we witness the dismantling of the jury mechanism and the analysis of the behavior of jurors prisoners of their personal life, their habits, their secret tendencies. The debate between jurors consists of understanding whether Elsa killed her husband to put an end to his suffering or whether he killed him out of self-interest, being in love with another man.
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