Low budget arthouse romance long acclaimed by critics and film makers. It's a simple rustic folk tale which feels like a salty, enduring ballad by Jacques Brel. Maurice Jaubert's waltz played on accordion is prominent. A young, unworldly couple marry and start a life together on his working barge.
And they go through a period of adjustment. The groom (Jean Dasté) is rough, and jealous and unromantic. The impulsive bride (Dita Parlo) is frustrated and aware of a more pleasant life out there, somewhere. Maybe in the fashions and dancehalls of Paris.
But they love each other. For guidance she draws on a raucous boatman who has experience of the world but lives like a complacent beast. He's played by Michel Simon who is a legend in French cinema and he gives the film its flavour. Dasté and especially Parlo bring the pathos.
It begins like social realism on the oily Seine, but gradually enters a state of enchantment. In that respect it evokes FW Murnau's 1927 silent masterpiece, Sunrise. This isn't as great but it is unique and haunting and beguiling. And reminds us once more of what a magical medium cinema is.