Clean old fashioned humour
- The Lavender Hill Mob review by JJ
This was my first introduction to The Ealing Comedies and it was a refreshing, simple romp with some great acting from a young Alec Guinness and rotund Stanley Holloway.
Such straightforward stuff to raise the spirits post WW 2 and now in the thick of a 2020 pandemic.
2 out of 2 members found this review helpful.
Gentle
- The Lavender Hill Mob review by JD
The pace is slow, the plot simple, the photography absolutely stunning. Good black and white such as this give a texture to the picture which I find better than any high definition colour. Alec G is of course great, Sid James plays a very straight character, pre slap stick. It is about a burglary but it is more than the plot and certainly more than the action which by modern standards is poor. A great film for a rainy Saturday.
2 out of 2 members found this review helpful.
Classic Ealing Comedy
- The Lavender Hill Mob review by GI
One of the great Ealing Studio comedies and a thoroughly delightful heist film where a meek bank employee (Alec Guinness) and a hapless and eccentric souvenir maker (Stanley Holloway) dream up a plan to steal £1million in gold bullion and smuggle it out of the country as small Eiffel Tower souvenirs. They recruit two professional criminals (Sid James & Alfie Bass) to help them but the plans go awry when some of the souvenirs are accidentally sold to some schoolgirls and they have to get them back before the police get ahold of them. It's quintessentially British, very funny, and wonderfully scripted. An absolutely lovely film and a must see for all film enthusiasts and you can have fun spotting cameos by Audrey Hepburn and Robert Shaw (blink and you'll miss them!)
2 out of 2 members found this review helpful.
Heist comedy.
- The Lavender Hill Mob review by Steve
Genial caper which was one of the most successful of the post-war Ealing comedies at the box office. It's curious how the heist film became so abundant across Europe in the early fifties. Maybe the dreams of people still using their ration books made it a popular temptation to make off with the contents of a safe.
It's that image of the underdog who has his day which inspires Alec Guinness performance as a wage slave who is assumed to be a mild, unambitious man in a pin stripe and bowler hat.... who then robs a security van full of gold ingots in the pursuit of a more lavish, exotic lifestyle.
He makes a fine comic team with Stanley Holloway, who melts the gold into Eiffel Tower paperweights, in order to get the swag out of the country. With Alfie Bass and Sidney James they are a likeable bunch of rogues. Audrey Hepburn has a brief pre-fame cameo as a society it girl.
It's an entertaining diversion which pastiches American noir, with the shadows and procedural voice over. The Oscar for best screenplay feels a bit of a stretch; it isn't really that funny. Unusually for a mainstream comedy, there is no romance. But there is a strong flavour of austerity Britain, its citizens finding escape in improbable fantasies.
1 out of 1 members found this review helpful.