A superb cat-and-mouse psychological thriller
- The Manchurian Candidate review by SG
Released in 1962, this political thriller really gets under your skin. One year on from this film's opening, JFK died and its leading actor, Frank Sinatra, bought the rights to this picture and took it out of circulation - you will see why when you watch the ending. This movie was then not released until nearly 30 years later - only then was it shown in all its black and white glory. Laurence Harvey is excellent as the disturbed Korean war hero who can't understand why everyone loves him as he knows deep down they hate him. Soon enough, his whole platoon start having flashback nightmares from their tour of duty and it's up to Frank Sinatra's character to work out why. Throw into the mix a scheming conniving mother (Angela Lansbury) who wants unadulterated political power and you have yourself a conspiracy theory. Even Janet Leigh, fresh from Psycho two years earlier, is excellent as the girlfriend of ol' blue eyes.
This is an outstanding film. Just don't even think about playing Solitaire…
3 out of 3 members found this review helpful.
Fantastic Psychological Thriller
- The Manchurian Candidate review by GI
This is one of the great psychological thrillers of the 1960s and it's often overshadowed by the 2004 remake, which pales in comparison to this tense, taut and wonderfully acted film from director John Frankenheimer. Frank Sinatra is Major Ben Marko, a US Army officer who returns home with his platoon at the end of the Korean War. On Marko's recommendation one of his men, Sergeant Raymond Shaw (Laurence Harvey) has been awarded the Medal of Honour for saving the platoon during an attack. But Marko begins having recurring nightmares that Shaw murdered two of the platoon in front of an audience of enemy officers. Shaw, the son of a famous politically ambitious and domineering mother (a brilliant Angela Lansbury), is now a respected journalist but he soon begins to exhibit strange behaviour. The plot twists and turns and there are some surprisingly violent incidents as the truth behind what happened in Korea and the effects on the men is revealed. Frankenheimer delivers a compelling story, a complex narrative that deals with issues of McCarthyism, political corruption and the traumas of war. It's easy to forget that there are great films like this out there waiting to be rediscovered. This is a classic and well worth seeking out if you've never seen it.
1 out of 1 members found this review helpful.
WOMEN 'R' US
- The Manchurian Candidate review by Frank Talker™
Brilliant psychological conspiracy-thriller about a combined Sino-Soviet attempt to get a hardcore communist elected as the President of the USA, carefully disguised as a virulent anti-communist.
The performances are all superb, the direction taut & the writing focused - there is a genuine determination here to make the somewhat absurd premiss literally-plausible rather than just metaphorically-believable. It works.
Of particular note are the three distinctively-different female characters whom represent either destroyers of men or their saviours. Angela LANSBURY is terrifying as Laurence HARVEY's domineering mother; Janet LEIGH is delightfully-slutty as the woman whom quickly discards her fiancé after meeting a man on a train whom looks a lot like Frank SINATRA; &, Leslie PARRISH is brilliantly funny as the delightful ingénue whom Laurence HARVEY marries.
An excellent companion-piece to The Candidate (1972), wherein Western democracies tend to elect leaders whom do not truly represent voter aspirations.
1 out of 1 members found this review helpful.
Queen of Hearts - and Bile
- The Manchurian Candidate review by CH
Has there ever been a film with so large an uncredited cast which finds itself moving between dream - or, rather, nightmare - and reality in the aftermath of the Korean War when, come the early-Sixties, a veteran of it, Laurence Harvey is programmed to assassinate politicians? From Richard Condon's novel, here is also an unlikely but credible mixture of Sinatra and Angela Lansbury. They have but one brief scene in which neither is aware of the other. Say no more, as her son Harvey goes about his task, and Sinatra becomes aware of what's afoot.. Add in two women of similar looks - Janet Leigh and the lesser-known but accomplished Leslie Parrish - and one finds the wild card of love adding to trouble ahead heralded by a pack of cards in which the Queen of Hearts ever looms.
Strange to think all this - realistic and fantastic - lasts more than two hours. A series of scenes, well-nigh set pieces,with wonderful photography, light and shadow matching the continual subterfuge, as everything past and present sits together, keeping one guessing until the very last minutes (these feature an earlier incarnation of Madison Square Garden). All of which prompt one to watch again Suddenly, a smaller-scale work in which Sinatra is mired in a killing spree. He was a better actor than many realise. Naturally, he appears at home whenever events here conspire to land him in a bar - and this disc has an extra in which he discusses the way in which a great brawl was staged. It looks as though a table fell apart in the course of events rather than being scored through to speed that crash. This is but one of the many details meticulously prepared which make so large scale a work curiously, even Oedipally intimate.
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Landmark Thriller.
- The Manchurian Candidate review by Steve
This invented a whole new sub-genre; the conspiracy thriller. And inspired a wave of films that imagined secret corruption at the heart of the establishment. And really, what could be more now? For that, novelist Richard Condon deserves credit as his bestseller provides the twisty intrigue of the plot.
Which is expertly adapted into pure cinema by John Frankenheimer. It looks so fresh; surely he’s been studying the Nouvelle Vague? This is the most compelling film imaginable. It grips all the way to the last reveal. A US army platoon goes missing for three days in Korea. Have they been programmed to act against the state?
Military intelligence (Frank Sinatra) investigates a well connected war hero (Laurence Harvey) who may be a communist agent. The two stars are effective- with Harvey well cast for that slightly repellant quality. But Angela Lansbury steals the film as his conniving, frightening mother.
It is the first of the director’s conspiracy trilogy. Maybe there’s disappointment that the theme of the subterfuge is anti-communism, which reflects the real objectives of the American government. So it isn’t actually subversive. But the assassination of JFK a year later made it seem thrillingly intuitive.
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