A real let down
- Marlowe review by sb
FILM & REVIEW Neil Jordan’s first film in several years and I really wanted to like it but unfortunately it’s not very good. Neesan plays the titular private eye in late ‘30’s LA. In classic noir fashion he is hired by mysterious blonde (Kruger)to find her errant missing lover but of course she has other ulterior motives and Marlowe finds himself deep into corrupt film studios, high class brothels, narcotics and Mexican hoods. Neesan is way too old for the role ( something the script acknowledges) but the films biggest issue for all the plot twists and reveals in never engages….at no point are you remotely interested in where it’s all going. Things aren’t helped by Neesan who seems not only bored with the plot but with the film itself - something that is conveyed to the audience which really is a fatal flaw. On the plus side there are some nice supporting turns -Jessica Lange as a has been actress who still has her wits about her, Donald Huston as a suave club owner and a very arch Alan Cummins but none of this can save the film - a real letdown - 2/5
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Slow burner
- Marlowe review by Francis Scott
I’m guessing this was some kind of homage to mid-20th century ‘films noirs’. But cinema has moved on and this felt too slow and the dialogue self-consciously smart-alec. Decent performance from Neeson and Alan Cummins added some light relief but the female co-leads were less convincing. Didn’t work overall for me.
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Maybe just not for me - but a bit on the tedious side
- Marlowe review by JD
Nothing against the acting, that was top notch (Jessica Lange is superb as ever) but the film was just, well, i guess for a very specific type of viewer.
Thankfully they didnt stretch it out as is often the case these days so it doesnt over stay its welcome. But it might be worth considering not even letting it in in the first place.
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Pointless rehash of tired tropes
- Marlowe review by DM
50 years on from Chinatown, this is a backwards step, a movie loaded with so many noir cliché that it is more of a parody than a worthwhile story. The only modern element here is that the violence is turned up to the levels you expect in the final reel of a Tarantino movie, which really doesn't fit the material. Neeson is always a good performer, but he's too old for the part and the dialogue is too writerly, with almost every character quoting Shakespeare, Christopher Marlowe, Joyce, etc. Hard to see why Neil Jordan bothered.
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An enjoyable but not particularly demanding Noire themed film, with style to spare
- Marlowe review by TB
Having never watched a Noire thriller before, but instead played LA Noire, a computer game which unashamedly takes many of the themes, I was interested to see what this film would hold. Plus, the fact it was directed by Neil Jordan & starred Liam Neeson was also a strong selling point.
As a film, I always enjoyed what was on screen, but it was never anything more than a fairly gentle paced story with a few curveballs thrown in. The recreation of LA in the 30’s was perfectly done, which is even more staggering when you consider all the outdoor scenes were shot in Spain. A huge number of the clichés which were associated with the Noire crime drama are present & correct, but are never shoehorned in, sitting instead comfortably within the narrative. The film is also a lot less violent than I was expecting.
But it was only ever average. The story is a shallow as a kids swimming pool & if you are looking for deep meaning or profound scenes, then you’re watching the wrong film. This is a perfectly serviceable, relatively inoffensive hour 40 of watching different talented actors interact with each other, with some good staging & locations.
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Dull Film Noir
- Marlowe review by GI
An attempt to make a genuine hard boiled detective film noir that looks good in its recreation of a 1930s Hollywood but lacks any spark. It's a rather droll and clichéd film with Liam Neeson far too old and tired looking to carry off the tough private eye. This is particularly evident in the rather poorly choreographed fight scenes and lacklustre plot reveals. The titular Marlowe is hired by the usual dodgy wealthy woman (Diane Kruger) who wants her lover found. He was supposedly killed outside a club after falling in the road drunk and getting himself run over. But Marlowe soon believes that he's not really dead. Anyway once this becomes the main thread of the story the remainder of the film plods along with nothing very exciting happening. There's the usual host of characters that have some agenda or other including Jessica Lange and Danny Huston. I'm sorry but it's about time Neeson wakes up to the fact he's no longer credible in an action role even when it's mediated by a dreary plot. A dull film and instantly forgotten.
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