A carefully crafted, open-to-everything mixture of live-wire reality and controlled narrative, Medium Cool is the debut fiction feature of Haskell Wexler, who had already established himself as one of Hollywood's premiere cinematographers in the post-studio-system-era on such films as Elia Kazan's America, America and Mike Nichols' Who's Afraid of Virginia Woolf?. In 1968, he hurled himself into the tear-gas of the cultural-political moment. The result was, alongside Bonnie and Clyde and Easy Rider, a seminal early work of what came to be known as "the New Hollywood". John plays a television cameraman who has become disenchanted as a creative subservient to the mainstream. Eileen depicts a newly relocated war-widow swept up in the maelstrom of the conflicts of the 1968 Democratic National Convention in Chicago - the actual events of which serve as the spontaneous backdrop for Wexler's picture.
We use cookies to help you navigate our website and to keep track of our promotional efforts. Some cookies are necessary for the site to operate normally while others are optional. To find out what cookies we are using please visit Cookies Policy.