Rent Mr. Skeffington (1944)

3.9 of 5 from 82 ratings
2h 25min
Rent Mr. Skeffington Online DVD & Blu-ray Rental
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Synopsis:
Whose face - ravaged, grotesque - is in the mirror? Surely it's not that of Fanny Skeffington, the prettiest woman in New York. Fanny always used her beauty to manipulate her way through life. She's encouraged dozens of suitors, even after her marriage. But now diphtheria has robbed her of her only attribute. And without her looks, she's lost.
Actors:
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Directors:
Writers:
Julius J. Epstein, Philip G. Epstein
Studio:
Warner
Genres:
Classics, Drama
Collections:
Acting Up: British Actors at the Oscars, Award Winners, Oscar Nominations Competition 2024
BBFC:
Release Date:
30/10/2005
Run Time:
145 minutes
Languages:
Castilian Spanish Dolby Digital 1.0 Mono, English Dolby Digital 1.0 Mono
Subtitles:
Castillian, Czech, Dutch, French, Greek, Hungarian, Polish, Portuguese
DVD Regions:
Region 2
Formats:
Pal
Aspect Ratio:
Full Screen 1.33:1 / 4:3
Colour:
B & W
Bonus:
  • Commentary by Director Vincent Sherman
  • New featurette: Mr. Skeffington - A Picture of Strenght
  • Trailer

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Reviews (1) of Mr. Skeffington

Epic Soap. - Mr. Skeffington review by Steve

Spoiler Alert
24/11/2022

This film is so tightly knotted to its theme of vanity that it eventually becomes a moral fable. Bette Davis plays a high society coquette who marries a modest but rich businessman (Claude Rains) to keep her crooked brother out of jail. Her marriage is no impediment to having a good time in the company of fast men. So Mr. Skeffington toils without love, filling her life with riches.

The unfaithful wife loses her looks after a bout of diphtheria, and learns valuable life lessons. By 1944, in a lifetime of heavy smoking, Bette looked middle aged and she is hardly convincing as a famous beauty. In fact there is a premonition of Baby Jane Hudson in her heavy makeup, even before the illness. But credit to Davis for allowing her later grotesque appearance.

She dominates the film, and haunts your nightmares. Rains gives a more subtle and touching performance as her rejected husband, a Jewish man who takes his daughter to Germany as the Nazis come to power. The film starts just before WWI and concludes with the world about to be again consumed by war. Bette gets to wear a compilation of classic frocks from the first half of the century.

There's quite a lot of humour (from Julius & Philip Epstein). The witty script keeps the drama fairly superficial. Almost nothing is done with the theme of anti-semitism. This is an epochal film in the history of classic cinema, because it was the final release of Bette's hated contract with Warner Brothers. And while not her best, it's a significant entry in that body of work.

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