This film is so rare that it's not even mentioned in my 2017 Radio Times Film Guide. The director [Henri-Georges Clouzot] is, however, famous, having directed the thriller to end all thrillers - "The Wages of Fear" - in the 1950s.
Although it's a crime film with several murders, it's a blackly humorous film [well, 1940s French humour] and well worth watching if you're OK with b&w subtitled French films. There's a twist at the end of the film.
Exuberant comedy-thriller from Henri-Georges Clouzot which feels like a prototype for those British murder-mysteries produced at Ealing Studios after WWII, like Green for Danger (1946). And it works as a compelling suspense story as well as a gleeful spoof of an ensemble of French caricatures.
This is irresistibly entertaining and directed with style. A serial killer is tracked to the address of the title, which is a guest house of established residents. So an urbane, droll detective registers as a priest (Pierre Fresnay), inconveniently followed by his dizzy girlfriend (Suzy Delair)…
She wants to drum up publicity for her nightclub act and adds a shot of screwball. There’s an amusing support cast of character actors who play the eccentric, theatrical suspects, like the unemployed magician (Jean Tissier) and the evasive doctor ( Noël Roquevert) with a suspicious past…
There’s may be subtext about the Nazi occupation but this is so frivolous it hardly registers. Clouzot shifts between moods with considerable finesse, but this isn’t realism. It hasn’t the weight of his more famous thrillers. Hard to believe it was made in a time of such despair.