Murders in the Rue Morgue (1932)

3.3 of 5 from 51 ratings
1h 1min
Not released
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Synopsis:
In 19th Century Paris, the maniacal Dr. Mirakle (Bela Lugosi) abducts young women and injects them with ape blood in an attempt to prove ape-human kinship. He constantly meets failure as the abducted women die. Medical student Pierre Dupin (Leon Ames) discovers what Mirakle is doing too late to prevent the abduction of his girlfriend Camille (Sidney Fox). Now he desperately tries to enlist the help of the police to get her back.
Actors:
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Genres:
Classics, Drama, Horror, Thrillers
Collections:
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BBFC:
Release Date:
Not released
Run Time:
61 minutes

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Reviews (1) of Murders in the Rue Morgue

Bela goes ape! - Murders in the Rue Morgue review by NP

Spoiler Alert
14/01/2022

Released in 1932 and directed by Robert Florey and starring Bela Lugosi. Both had moved on, or been moved on, from production on the previous year’s ‘Frankenstein’ once James Whale and Boris Karloff showed up – ‘Rue Morgue’ was based on a tale by Edgar Allan Poe. Poe stories would provide film goers with many thrills and chills over the following years.

‘Rue Morgue’ never achieved the popularity of ‘Frankenstein’, ‘Dracula’ or the forthcoming ‘The Mummy’, and while this is beautifully filmed and enthusiastically acted (especially by Lugosi and top billed Sidney Fox), it’s not difficult to see why. Whereas the other films have very clearly defined monsters/villains, here evildoings are shared between Dr. Mirakle (Lugosi), a mad scientist, and Erik, an ape. Equally, where the other films have straightforward stories, this often verges on the incomprehensible. We’re clearly meant to be booing Mirakle but it’s not clear exactly why.

Despite that, this is a triumph of mood, despite some misplaced humour that lacks the darkness of Whale’s touch. Florey was a fine director but seemed continually to miss out on opportunities – he makes a great job of this, but the story isn’t as polished as it might be. At Universal’s insistence, close-ups of man-in-a-suit Erik are provided by a real life monkey. The creature looks frightening, but is clearly a very different looking animal, and his movements often don’t match the action. Would the film have been more successful without this and other examples of studio interference? We’ll never know. My score is 7 out of 10.

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