Gretchen Mol plays the title role really well, capturing the vulnerability and sweetness of Bettie Page. We look at her life and upbringing and while there are some awful things that happen to her, they are not exploited or overly dwelt upon. Bettie soon finds she has an appeal to the 'underground' pornography market, which seems quite amusing by today's standards when the photos are compared. The ridiculous attitude of the US Government is examined and the senate investigation sets out to prove that looking at pictures of women in underwear is subversive and weird.
The Notorious Bettie Page is precisely the kind of film you’d expect from Mary Harron. Who better to give voice and agency to one of the most recognisable faces of the 20th century? Page’s image has been endlessly—and continues to be—replicated, exploited, fetishised and sold. Still, this film focuses on her reasons for being in front of the camera, her faith, her boundaries, and her quiet confidence. Gretchen Mol is splendid in the lead, portraying Bettie not as a victim but as a woman who made her own choices, even when those around her didn’t understand them. One moment that struck me was how she wasn’t even allowed to speak at the Senate hearings investigating pornography—her forced silence speaks volumes. My only gripe is that the film doesn’t go into her later life. Bettie struggled with severe mental health issues and, as a result, became reclusive for decades. I wish we’d seen more of that journey. Without the brief coda at the end, we learn very little of what Bettie Page actually thought and even less of what had been her ambition and goals.