A drunken man named 'Dae-Su' disappears one night after being released from a police station only to be kidnapped by anonymous captors and imprisoned in a hotel room. For the next 15 years he finds himself incarcerated and has little contact with others. He obsessively watches T.V where he learns of his wife's murder and his daughters' placement with another family. Occasionally the room fills with a sedative gas and when he awakes he finds himself clean shaven and haircut. This routine continues through a 15 year period, when suddenly he is released, he then enters on a surreal and violent odyssey of revenge to discover the identity of his captors. This is an excellent film about revenge and how it can possess someone to the point of self destruction, and where Quentin Tarantino's, entertaining 'Kill Bill' is also based around the theme of revenge; 'Old Boy' is something else entirely. It's an absolutely stunning film that succeeds both as a violent action thriller and as a powerful thought provoking tragedy. There are some great fight sequences where Dae-Su's rage consumes him so fully he is able to fight off enemies with a knife sticking out of his back. There are also scenes of torture and gore that are particularly intense, although the extreme violence never overshadows the brilliance of this film. The well crafted story takes so many twists and turns that as a viewer you are almost always on edge, and just when you think you know where story is heading another there's yet another surreal twist to the tale. Be warned, this is not a film for the squeamish or easily offended, but if you can get past the violence and disturbing images, 'Old Boy' is an amazing film.
“Oldboy” is a riveting and totally insane slice of Korean extreme- the plot seethes with horrifying twists and turns, there is wince-inducing action and gallons of pitch-black humour; and at the film’s heart there is an outstanding bug-eyed performance from Choi min-sik as the man plucked from the street and imprisoned for fifteen years, then released without explanation. He sets off to identify his abductors and wreak revenge on them, only to find that they haven’t finished with him yet…
I first saw the film 'Oldboy' from Korean director Park Chan-wook back in 2004, I think. But it was only a couple of months ago that I learned that it was part of a trilogy (the so-called 'Vengeance Trilogy'). The first part is 'Sympathy For Mr Vengeance' and the final part 'Sympathy For Lady Vengeance' (aka just 'Lady Vengeance').
I've now watched the complete trilogy – and I'm very impressed. There is a clear development in directing style across the films, culminating in the very stylish (even artistic) 'Lady Vengeance'. And while the first two films are more straightforward, each tells its story in a complex fashion which unfolds slowly. The films can be watched standalone.
The storyline in 'Oldboy' is complex – until you have watched to the end and all is revealed. Suffice to say that the film title itself is revealing. As part of the 'Revenge Trilogy' the film is most definitely about revenge. The central character is a businessman Oh Dae-su who is held prisoner for 15 years and then suddenly released. As he attempts to find and seek revenge, it becomes clear that it is he who is the target for revenge by someone he wronged in the past. And that revenge on Dae-Su is terrible, from his imprisonment, the killing of his wife, and the events which befall his daughter. The film is both violent and emotional – and has a nice, confusing, ambiguous ending. Like it or loathe it, it's a film you won't forget. 4/5 stars – highly recommended.