The culmination of a decade of experiments to render "the chaos of visual phenomena filling the universal", Dziga Vertov's masterwork uses a staggering array of cinematic devices to capture the city at work and at play, as well as the machines that power it. Presented in a definitive new restoration from Eye Film Institute in Amsterdam and Lobster Films, the film is also presented with works by Vertov both before and after his masterpiece - Kino-Eye (1924), Kino-Pravda #21 (1925), Enthusiasm: Symphony of the Donbass (1931) and Three Songs About Lenin (1934).
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