Whimsical and spooky fantasy/ghost story produced by David Selznick to star his soon-to-be wife Jennifer Jones in the title role. It's a hyper-romance about how some people are destined to be together, no matter what, even if it breaks the laws that bind the universe.
Joseph Cotten plays a struggling artist who sketches Jennie as a child. And begins a portrait... He occasionally meets her again but makes the unsettling discovery that she seems to come back to him from the past, and always a few years older. They fall in love even though it appears she died in an accident at sea many years ago.
This is sweet, crazy hokum with the kind of lush orchestral score (Dimitri Tiomkin) typical of Hollywood romantic fantasies. There's even a choir of angels. It is all atmosphere. Jennie's theme (by Bernard Herrmann) is suitably haunting. Cotten and Jones are glamorous as the lovers who find each other across time.
The b&w photography is lovely with fine locations. William Dieterle sometimes shoots through gauze which makes the picture look like a canvas. The climax with a tsunami off the coast of Massachusetts is evocative and powerful. And the final shot of the portrait- in colour- of the sad/lovely Jennie hung on the wall of a gallery, is a heartbreaker.