This film is a class act, one of the very best sci-fi OR action films ive ever seen.
Everything about the film feels right, right from the opening scenes. Its superbly directed and the main cast, an unbound team of soldiers (the film avoids any cheese and as such Arnies squad never gets named) are brilliant. There is no shakey cam here, its all proper action by proper action actors.
Indeed, if this film was just them mooching around the jungle it would still of been an excellent film.
But they run into something they dont expect.
Unlike other films where its pretty obvious the generic cast of monster fodder soldiers are all going to die, and probably quite quickly and with a lot of wimpering, here it has you thinking its the monster who is in trouble. And again, unlike modern films this is well cast as an equal fight. Arnies team are the 'best' as is there oppenent. Its an epic fight.
They really dont make films like this anymore.
The quintessential science fiction action film that has yet to be surpassed. Brilliantly edited and with a really great story and one of Arnold Schwarzenegger's best performances. Cleverly the film doesn't try to hide its intentions, it signposts its genre from the outset as we get a full on space setting for the opening with the arrival of an alien spacecraft in the Earth's atmosphere. Then we get the introduction of the main characters with Schwarzenegger's Dutch, the leader of a Special Forces Unit, and his team and Carl Weathers' CIA man, Dillon. They are sent into the jungles of Central America to rescue some hostages held by some nasty guerrillas. But they soon discover that their mission has a different agenda under the control of Dillon. But after a violent gun battle in the jungle the team discover they have become hunted by the visiting alien and must use all their skills to survive. The film builds tension in not revealing the alien's appearance although we get to be aware of its presence very early in the film. When this film first arrived the design and look of the creature was highly original and it is a brilliant conception by Stan Winston and a worthy adversary for Schwarzenegger. The action scenes in this film are grittily realistic and certainly director John McTiernan proves he is adept at extended action set pieces. This remains a stunningly entertaining film. Yes it's a macho action fest but that's what makes it so good. This is the first, the best and the only Predator film. None of the sequels or spin-offs has come close in story or style probably because Arnie refused to be involved with any of them.
One of the classics.
Packed full of one liners, dated and schlocky but excellently shot action scenes, plus what at the time was a really groundbreaking premise and special effects.
A band of rag-tag mercenaries are parachuted into the jungle to track down a missing team. What they discover and the subsequent escape is the driving force of the story.
This film, along with Commando, cemented Arnold Schwarzenegger's cult status, and with good reason. He is the best thing about it and fully embraced the ridiculous but also serious tone as well.
As much as there have been sequels and reboots, nothing comes close to this. Stick it on the TV, grab some popcorn, invite round some friends, leave all notions of seriousness at the door and enjoy one of the best and most influential action films ever made.
Predator is one of those rare films that stick with you long after you’ve watched it for the first time. And this is not because of Arnold, McTiernan, or Silvestri, but rather because of the film’s unexplainable ethereal atmosphere, touch and feel that makes it an all-time classic and something to be savored for generations to come. And the inclusion of Arnold, McTiernan, and Silvestri – also somewhat helps.
The film follows an elite warrior squad that specializes in guerilla warfare, being sent on a mission to retrieve hostages from a remote, undisclosed location somewhere in a South American jungle. Soon however, the team (lead by none other than Dutch, in turn played by Arnold Schwarzenegger) realizes they were being sent over false pretenses and lied to, as something otherworldly narrowly closes on their tracks. Are they hunting something, or maybe they are the hunted? The truth is, the viewers have the same amount of information about the mission at-hand, which is exactly how a proper story should be told through the lenses (both figuratively and literally) of a medium such as tape.
Meanwhile, the released prisoner Anna (Elpidia Carrillo) confirms the suspicions of the boys that indeed, nothing is as it seems (or the jungle comes alive, whichever one you prefer).
Ultimately, Predator had every reason to fail: the first design of the ‘alien creature’ was laughable, unbelievable, and was also played by Jean-Claude Van Damme of all people! The best part: the filmmakers went with it for a good chunk of the filming, and only decided to replace it when McTiernan interfered and said it wasn’t going to work. Why is this important? Mainly because most of the reactions that you see in the original film are done with said creature in mind; this speaks volumes about the actors’ abilities to act dead serious in wake of a cheesy B-movie alien creature, or hopping future action star Van Damme in disguise. Thankfully, someone from production decided to pull the plug before any real damage to the believability of the film was done (mostly McTiernan). Which leads me to my second main point: cinematography and camera movement.
John McTiernan uses its cameras in the most efficient way, picturing a clear geography of the characters in relation to themselves, the squad in relation to the terrorist group, the squad in relation to the Predator, the Predator in relation to the squad, and Dutch in relation to everyone else both inside and outside the team, including Anna and the Predator as well. This is very important in movies and frankly, I’ve rarely seen a director craft such a unique sense of movement in an action film (the first half of Sicario comes to mind), without confusing or boring the viewer to death. Sadly, this geography is often overlooked and underappreciated, whilst also costing an arm and a leg to pull of properly. That’s why everyone nowadays throws in some handhelds, shaky cams, and confusing vantage points and calls it a day. It’s just faster, it gets the job done, and doesn’t require any special directorial talent to make. But, let’s end this review on a high note now, shall we?
Predator is a feast for the senses, and a food for thought for the mind. It’s a definitive must-watch for anyone brave enough to call themselves a movie buff as is. Predator: one of the last remnants of the true action hero trope and an inspiring figure for future kids, both boys and girls, to follow.