Lavish Technicolor copy of the 1937 classic, which is a success, but still disappoints because it just isn't as much fun. It reuses the same script, orchestral score and even camera setups... And Stewart Granger makes a fine adventure hero as Major Rudolph Rassendyll, formerly of the British army, thrust by chance into foreign intrigue. But unluckily...
In the earlier version, Ronald Colman gives the greatest ever performance in a romantic adventure. What this has to offer is colour and opulent set design. No-one messes with the famous story. The king in-waiting of a small middle European state is kidnapped on the day of his coronation; and his distant, but identical relative steps into the royal shoes on the big day.
Granger is capable in both roles and Deborah Kerr is ideal as the demure princess. James Mason is always a superior villain. But actually, I wouldn't swap anyone for the '37 cast. There is more acrobatic action and the climactic swordfight is well staged. Oddly for a romance, all versions are subversive because the conclusion is the royals shouldn't be ruling Ruritania.
Rassendyll is the natural leader. There is a subtle shift in tone between '37 and '52 when seen in historical context. The earlier film was produced in the aftermath of the abdication crisis. So the heroes are doing their duty. But the later was made during preliminaries for a coronation. And it feels more of a celebration. Though that could be the gorgeous Technicolor.