Rent Pushover (1954)

3.6 of 5 from 59 ratings
1h 24min
Rent Pushover (aka The Killer Wore a Badge / The Night Watch / 322 French Street) Online DVD & Blu-ray Rental
  • General info
  • Available formats
Synopsis:
A middle-aged cop is assigned to tail a gangster's moll with his two partners, hoping she'll lead them to some $200,000 worth of stolen loot, but when the cop falls under the spell of the moll, falling in love with her, his honest ways become twisted and soon he plots with her to kill the gangster and take off with the money.
Actors:
, , , , , , , , , , Richard Bryan, , , , , , , , ,
Directors:
Producers:
Jules Schermer
Writers:
Roy Huggins, Thomas Walsh, Bill S. Ballinger
Aka:
The Killer Wore a Badge / The Night Watch / 322 French Street
Genres:
Classics, Drama, Thrillers
BBFC:
Release Date:
Not released
Run Time:
84 minutes
Languages:
English
Aspect Ratio:
Widescreen 1.85:1
BBFC:
Release Date:
27/09/2021
Run Time:
88 minutes
Languages:
English LPCM Mono
Subtitles:
English Hard of Hearing
Formats:
Pal
Aspect Ratio:
Widescreen 1.85:1
Colour:
B & W
BLU-RAY Regions:
B
Bonus:
  • Audio commentary with Alexandra Heller-Nicholas and Josh Nelson on 'Pushover'
  • Partners in Crime and Comedy: Glenn Kenny on the films of Richard Quine and Kim Novak
  • A Bracing Brutality: Nick Pinkerton on the films of Phil Karlson
  • The March of Time: 'G-Men at War' (1942): documentary short focused on the efforts of the FBI
  • Routine Job: A Story of Scotland Yard (1946): short film following the day-to-day work of Scotland Yard
  • Original Theatrical Trailer
  • Image Gallery
  • Six comedy shorts starring the Three Stooges, lampooning the tropes and themes
  • World Premiere on Blu-ray

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Reviews (1) of Pushover

Fifties Noir. - Pushover review by Steve

Spoiler Alert
14/02/2025

This ostentatiously imitates Double Indemnity at every twist, though that isn’t necessarily a bad thing. It’s wise to steal from the best. It even stars Fred MacMurray, though ten years have passed and he’s now too old for the role as the wage slave tempted by sex and greed.

And naturally Kim Novak, in her debut credit, is no match for Barbara Stanwyck as the femme fatale. Or as cold hearted. Still, she’s a sexy, blonde knockout as the moll of a murderer who has knocked over a bank. MacMurray is the cop on a stakeout at her swanky apartment.

So we get a touch of Hitchcock, with the cool blonde and the voyeurism. And there's some decent hardboiled dialogue. Which is plenty for a viable, if derivative thriller. But the leads are merely adequate and Richard Quine is a lesser director who doesn’t create much suspense.

Eventually, like Philip Carey as Fred’s surveillance buddy, it’s easy to get distracted by Dorothy Malone as the vivacious nurse who lives next door. She has charisma to burn. In ’54 this must have looked awfully old fashioned. But now, the reliable noir motifs will engage genre fans.

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