Jealousy, music halls, murder, feverish police interrogations, Hitchcockian twists and turns; apparently amoral at first glance, yet very contemporary in its nods towards a sympathetic lesbian and a policeman unashamedly proud of his mixed-race child.
Wonderfully restored Blu-ray version.
The director's other films are worth pursuing, especially the nail-biter of all nail-biters - "The Wages of Fear".
Agree with the other reviewer, super actors, music hall, police procedural, everyone smoking all the time - what more could you want. Very sharp and very enjoyable. I also agree about the other films, and would suggest 'Les Diaboliques', extremely good.
After WWII, Henri-Georges Clouzot was banned from directing films because of his alleged collaboration with the German occupation. This hugely successful return feels like he spent the years studying Hollywood film noir. This is a whodunit with an undertow of sadness and pessimism and a look of sombre expressionism.
There's a decent mystery set among the lower ranks of Parisian showbiz. But it is more interesting for its impression of impoverished French society after the war, in a period of recovery. It is set among its music hall performers and there are incidental glimpses of typical acts, like the chorus line, cabaret singers and performing dogs.
And it's a showcase for three compelling star performances. Suzy Delair is a blousy chanteuse who fought her way out of the slums. Bernard Blier is a musician from the conservatoire who gave up everything to marry her. Then, 40 minutes in, Louis Jouvet raises it to another level as the tenacious cop who suspects them of murder.
The title being the address of the French police HQ. This is a high quality policier. It's possible to feel its influence on British crime pictures of the period, in particular. But being French, this is a touch more salacious. Really, it's as gloomy as the films that got Clouzot accused of being unpatriotic. It's just that the public was ready to see them.