Akira Kurosawa's Rashomon is one hell of a story. It follows one story from different points of view so the audience is unsure of who is telling the truth, who is lying or who doesn't realise they are lying.
Told in flashback it constantly intrigues and surprises and becomes something quite profound.
Added to this are the visuals. Filmed in 1950, is still looks better than a host of Hollywood films I've seen this year.
I'm off to get the rest of Kurosawa's work!
Its a classic which presages many elements in subsequent films. A bit slow paced at times with some over-expressive acting (but you could call that 'style'). The inner story told from four different points of view is not as outrageous as the main teller says, but as subject for a meditation on perception, ambiguity and reality it works well. In the end the truth is what you decide it is - which is perhaps something that resonates uncomfortably for us in these Trumpian times.
Kurosawa is the master - even Bergman acknowledged his influence. And this film is must be about Kurosawa's best. Other influences on this film (silent movies, early popular "modern art") can't take away how innovative it is (plot, technique, direction). But most of all, it is "the lack of a truth" that paved the way for many poor imitators.