Rent Requiem for a Vampire (1972)

Jean Rollin's further excursions into vampire fantasy - spoilers follow. - Requiem for a Vampire review by NP

French director Jean Rollin continues to indulge his fascination with the undead with his fourth film. Whilst not quite as rampantly weird as his previous 'Shiver of the Vampires', this nevertheless provides a very nice contrast between events in the ‘normal’ world as they drift into those of a hidden ‘other’ world.

In his career, he has demonstrated a liking for young female double-acts, and for clowns. Unsurprising then, that this opens with two young girls – apparently lovers – dressed as clowns, hopelessly on the run. Much time is spent with them as they survive various mishaps before stumbling on the biggest of all – a deserted chateau housing 'the last vampire' and his clan. Much chasing and recapturing happens next before the ending reveals the vampire to be surprisingly honorable and the alleged leading man, Frederic, something of a coward.

The nudity is more prevalent here than in earlier Rollin films, and a scene involving Marie being whipped by Michelle pushes boundaries further yet (apparently two versions of various scenes were shot - one clothed and one not - for foreign audiences who maybe shocked by the human form, including - unsurprisingly - the UK). As Maria, Rollin regular Marie-Pierre Castel gains a rare starring role – apparently her sister Cathy was originally cast, but proved unavailable. Her partner is played by Mireille Dargent, who also played a clown in Jean Rollin's 'Les Démoniaques/The Demoniacs'.

Despite typical Rollin moments of occasional unlikeliness, this is once again a curious dream-world spun into a dark fantasy where reality only occasionally bites.