This film has its moments, and the sound design is quite effective, but overall I'm slightly at a loss as to why it has received so much praise. The storyline seemed both slow-moving and fairly predictable, and I felt both the main characters could have been explored in more depth. Not a bad film, by any means, I just found it a distinctly average one.
A tour de force performance by Riz Ahmed makes this a deeply moving and powerful drama. He plays Ruben, a former drug addict and now the drummer in heavy metal band Black Gammon along with his girlfriend Lou (Olivia Cooke). They live life on the road together travelling America on tour in their winnebago. But Ruben's life is thrown into total disarray when he loses his hearing. His frustration and utter desperation are wonderfully portrayed by Ahmed assisted by the use of a muted soundtrack to simulate his limited hearing and the closing in of his world. He is forced by Lou to join a community for the deaf where it's taught that deafness is a condition that can be lived with and not something to be cured. But Ruben is desperate to get his old life with Lou back. A well deserved Oscar nomination for Ahmed and a host of other BAFTA and Oscar nods are all justified in this compelling drama. Mathieu Amalric has a small support role. Highly recommended.
For me this is a typical overpraised lovey favourite. Same as all the other oscar nominated or winning films they are as dull as ditchwater. I get the point that the guy has hearing problems so we hear it from his point of view so the sound is either muffled or non-existent. It doesnt make for a compelling or interesting watch. Disappointing.
Sound of Metal may be the first film to accurately depict hearing loss's anxiety, sadness, and contentment. A lesser film might’ve resorted to melodrama or even gross exaggeration. Director and co-writer Darius Marder does not reduce this movie to such simple platitudes. What follows is an emotional journey of one man coming to terms with a part of himself that has changed and the struggles of coming to terms with life.
At the story's heart is drummer Ruben, expertly played by Riz Ahmed. Having enjoyed the life of a rocker with loud music, he’s become used to the high volumes. But the constant drumming and heavy guitar have taken their toll on his ears. He wakes up one morning to discover that he can’t hear well. It sounds like he’s underwater, where his world is muffled. The audio sticks to this format for a long time, locking the audience inside Ruben’s world of deafness. It’s a scary scenario, and we feel as anxious as Ruben. Had the entire film been like this, it’d be just as bold now.
To face his deafness and drug addiction, Ruben pushes aside his music career. He bids a temporary farewell to his caring girlfriend Lou (Olivia Cooke) to learn at a shelter for the deaf and recovering. He meets the kind and patient Joe (Paul Raci), the shelter’s leader who has been around long enough to know how hard it is to be deaf and an addict. He helps Joe learn sign language and finds outlets for his frustrations, including writing down his thoughts. However, the only thing Ruben can think of is an expensive surgery that might restore his hearing. And even if he can get it, there’s no guarantee that he’ll hear the same way he did before.
This profoundly moving film is overflowing with melancholy and tender moments that work so well by engraining the viewer into Ruben’s world. When Ruben awakens and realizes his deafness won’t disappear, it’s an earth-shattering experience considering how much his insurance will cover. There’s a rather sweet and quiet moment where Ruben finds a way to connect with a deaf kid. The child places his ear on a metal slide, and Ruben taps the other end, creating delightful percussion. Ahmed’s performance is astounding for saying so much with so little.
The film has this constant air of finding stability but also peace. Ruben’s life was a wreck before he attended the shelter, and the road continues to be a rocky one right up to his departure. The heartfelt moments carry him to the point of finding happiness after such a fall. The final scene is of him turning off his hearing aid and finding calmness. It has this serene sensation of appreciating life even when our bodies break down. Just because Ruben’s life as a drummer has ended doesn’t mean his own life has to take a bow. And this heartfelt nature never comes across as hokey.
Sound of Metal is one of the best uses of sound editing to tap into the relatability of deafness and weave beautiful drama from it. The performances are fantastic, with Ahmed being the star, but special attention should be given to Raci, who is electrifying every moment on screen. So much effort went into this production that it should be noted as far more than just the movie where Riz Ahmed plays a deaf guy. It’s so much more than that; hopefully, it’ll be regarded as such in the future.