There is a rift between those who claim this film to be the sublime pinnacle of Iranian Abbas Kiarostami's film making and those who wait in vain for the slow burn plot to weave meaningful threads or at least hint at cathartic redemption. Mr Badii cruises the streets of Tehran like a punter in search of young unemployed men. He interrogates them with a confident yet unsettling intensity and is initially vague about the nature of his proposed employment opportunity for these young men. One boy unnerved by his persistence threatens violence and a doe eyed young soldier takes fright at the bizzare requests, as they drive across a wasteland on the periphery of the city he jumps out and flees. Badiis quest for death becomes almost banal as one after the other finds a reason not to assist him in his search for an accomplice.