Barnabáš Kos (Josef Kemr), a meek and modest triangle-player in the State Orchestra, finds himself unfathomably promoted to Music Director. Now drunk with power, the once unobtrusive Kos turns into a poised, commanding peacock and seeks to transform the orchestra to suit his own agenda and inflated vision...Peter Solan's 1964 film is an absurdist, darkly funny Kafkaesque satire of an authoritarian system that rewards mediocrity and breeds petty dictatorship. Its wry exposure of hypocrisy, sycophancy and the corrupting influence of power remains, unsurprisingly, fresh and relevant even today.
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