The Big Blue boasts breathtaking underwater sequences and sweeping oceanic vistas that immerse the audience in the serene and often mysterious world beneath the waves. The visual storytelling is nothing short of mesmerising, capturing the vastness and beauty of the ocean with an artistry that few films achieve. Each frame is meticulously crafted, making the underwater scenes memorable and evocative.
Unfortunately, The Big Blue struggles to find its footing beyond its visual splendour. The script lacks depth, with dialogue often appearing stilted and uninspired. The acting, too, fails to deliver, with performances that feel wooden and fail to evoke the intended emotional response. While attempting to complement the grandeur of the visuals, the music often feels overbearing and out of place, detracting from rather than enhancing the experience. Editing further compounds these issues, contributing to a disjointed narrative flow that can be jarring for viewers.
Moreover, the film’s excessive length is a significant detriment. It sometimes feels unnecessarily drawn out and pretentiously indulgent, which can test the patience of even the most dedicated viewers. The pacing suffers, making it difficult to maintain engagement throughout its runtime.
One redeeming element beyond the cinematography is the subtle homage to 2001: A Space Odyssey. This nod to a cinematic classic is a pleasant surprise, offering a moment of reflection and a connection to the broader tapestry of film history. It adds a layer of depth and context otherwise lacking in the film.
The Big Blue excels in its visual presentation, creating a visually captivating experience. It falls short in almost every other regard. The script, acting, music, and editing leave much to be desired, making it a challenging watch despite its cinematic beauty.