Fritz Lang's best American film and the pick of '50s noirs about organised crime. Glenn Ford plays an honest sergeant in homicide who is constantly frustrated by the mafia boss who owns the police and politicians. The detective gets warned off by his chief but after his wife is killed by an explosive.... the suspended cop goes solo.
Lee Marvin is splendidly repellant as the degenerate lunk who is strongarm for the mob. Ford enrols the help of his sexy, permmissive moll (Gloria Grahame) who wants revenge for the heavy throwing scalding coffee in her face. One of the most famous scenes in noir, and it still hits hard.
Ford is outstanding. But he is eclipsed by Gloria's sensational portrayal of the mercenary good-time girl who falls for the cop's burning obsession with revenge. She is so hot! It's a hypnotic performance and the centrepiece of GG's enduring cult appeal.
Almost everyone in this film is corrupt, but there are moving passages when some damaged working stiff sticks their neck out for the greater good. It's a landmark noir, because of the violence, the vigilante hero and its depiction of semi-legitimate crime. It scored Lang a big mainstream hit- which tones down his usual expressionism.
Sometimes in the American gangster film the baddies can be somewhat endearing, the villains you love to hate, not in this Fritz Lang film noir, the baddies are really bad. None badder than Lee Marvin as Vince Stone, his top lip perspires with evil.
The plot is precise and richly written by Sydney Boehm, some great one liners all of them barbed with evil. The most sinister aspect of the plot is the seemingly expendable role of the women, justice is done at the end but at the awful expense of the horrible deaths of the main women characters.
Glen Ford is great as the detective on a mission weighed down by worries and Brylcreem and Gloria Grahame reveals emotional subtlety behind her great looks.
One of the greatest of all Hollywood film noirs and a searing commentary on America. Masterful direction by Lang, not a frame or a word of dialogue wasted. This is how to make a film. Highly Recommended.