This low budget zombie project makes a good stab at convincing us the world has become an apocalyptic wasteland ravaged by the living dead. The dialogue over-eggs the story being told, with every (otherwise impressive) twist and turn being spelled-out to us. The zombie make-up comprises of actors wearing masks. Gruesome and detailed, yes, but they are masks all the same.
Lieutenant Colonel Sawyer (Robert Tweten) equips himself with so much armour and weapons, he resembles a kind of Robocop prototype. His mission is to bury the ashes of his family, and he travels across cursed, barren land to do so. On the way, he meets with hard-of-hearing Stephany (Ire Levy), who is being stalked by both the living dead, and sex-starved males throughout.
They meet up with elderly Wilson (John J Welsh), and here, typical horror-character-stupidity comes into play, when Stephanie decides to continue her journey without them. Her deafness, as you may imagine, makes for a perilous situations as she changes her wardrobe for a short skirt, before she is rescued and brought back into the fold. Some things never change.
Director and co-writer Rene Perez does a good job with this. Visually, it is very good, with nice panoramic views of deserted streets and the like. He also provide the terrific score, as ‘the Darkest Machines’. Where things occasionally fall down is due to some very slow scenes, often dialogue-lead, which seriously drag things down (the potentially interesting explanation of events from the President, outstays its welcome). The pleasing action sequences are worth seeing, however, with the zombies exploding gobbets of green gunk, reminding us how putrefied they are throughout.