Before the series of feature films which brought Eric Rohmer an international audience - at any rate, amongst those with a francophile taste for long conversations of a philosophical hue (with an undertow of amorous aspiration) - he made a number of short, black-and-white items in the early-Sixties.
These find him experimenting with the methods which would sustain the films he made until his death at a venerable age a decade ago. Two have been issued on a DVD. One is The Bakery Girl of Monceau and the other, Suzanne's Career. What's more, two others are hidden in the “special features” (and one of these has Godard in a rare acting rôle).
To focus on the Bakery one. Here is an evocation of Paris in 1963. Yes, those Citroens, cafés, and, of course, the eponymous Boulangerie.
In these twenty minutes or so, Barbet Schroeder - he playing a Law student - sees a woman (Michele Giardon) going by several times and, whether by accident of design, they collide - and become due to meet again (a stock situation of many a story or film); that does not come to pass, and Schroeder, morose, finds consolation in the bakery, where he becomes enchanted by the eighteen-year-old girl behind the counter.
Simple as the plot might appear, and with scant time for it to evolve far, it is absorbing, everything caught on the hoof.
And given plangency by learning that, a decade later, in the mid-Seventies, Michele Giardon killed herself at thirty-six. One should have relished seeing her in much more - but time's ever-rolling credits are a tough ride.