When settling down to watch a Jean Rollin film, the viewer is fairly sure it will contain either nude/semi-nude vampires, a beach scene, two young girls as main characters and/or a much surrealist atmosphere. Such things are the staple of the prolific French director.
It’s something of a surprise then, to find none of these elements here. At first, two girls appear to be the film’s main double act, but one of them is killed a couple of scenes later in one of many shocking twists this tale has to offer.
This is Rollin’s most straightforward horror film. My favourite scene involves a decaying man who chases Elisabeth back into her parked car, which naturally fails to start. As she locks the doors, he head-butts the glass to the front door, leaving much of his dissolving forehead on the glass as he recoils to butt it again. Truly stomach churning.