Amy is irritated by her boyfriend and his offers of help, Amy is angered by the police, Amy is bored by the estate agent, Amy is annoyed at the local chemist. Amy spends such a lot of the time being intolerant of those around her, it is very difficult to care about her plight during the course of this story, especially as the story is not hugely gripping anyway.
As the film rolls on, we realise why Amy has a particularly good reason to be angry at the world, but we spend the majority of the story getting to this point, by which time, I had certainly lost interest in her.
Of the rest of the cast, Eric Roberts is the most familiar face. Known for adopting a slightly tongue-in-cheek approach to his roles, there’s no dramatic change in evidence here. He is probably the most entertaining character, with his dry delivery as Officer Peterson bringing the character more life than is written.
What appealed to me about this film was the idea of horrors dwelling beneath the surface of a sunny, respectable suburban setting. Whilst ideas and characters are touched upon in a mildly effective way, there is nothing here to sustain the entire running time, and whilst I often enjoy films that tell a story in a slowly building way, there isn’t even a memorable pay-off at the end.