"The Legend of the Stardust Brothers" descended to earth from the brains of director Macoto Tezka, then a 22-year-old film student, and musician and TV star Haruo Chicada, who had just made a concept album about a fake band called the Stardust Brothers. Together, they would join brainwaves to produce a 'Phantom of the Paradise' - inspired feature-length comedy set to the album. Two rival bandleaders - the punk Kan (Kan Takagi) and the new wave Shingo (Shingo Kubota) - are fused into a synth-pop duo by a shady record promoter with the stare of a Bond villain and the grease of a casino manager. The odd couple climb the charts alongside their fan club manager, a former groupie with star aspirations of her own. Together they soar into the stratosphere, dodging laser-beams and robots like they're in a futuristic Hard Day's Night, cozying up with white girls and snorting coke from kiddie pools like a Rolling Stone. But the higher the climb, the steeper the fall, especially as the film starts ripping the record industry for its soul-sucking exploitation, its conversion of joy into briefcases of cash, and its susceptibility to government interference.
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