A classic Brit gangster. Harold Shand is on the verge of sealing a partnership with the Mafia. But trouble starting with the murder of one of his crew escalates into more and more trouble. Shand is oblivious to why this trouble has started against his firm, and he's determined that he must stamp it out quick so as not to put his new Mafia connections off .
"Somebody must know something". Shand is in a race against time to quell this mayhem. Will he get to the bottom of it, will he keep the Mafia deal?
Superb performance from Hoskins, supported brilliantly by his loyal wife Helen Mirren. The dialogue is top notch, with loads of quoteable gems.
This is a good film, which has become a 'classic' of British cinema. Although it is firmly rooted in the late 1970s/ 1980s, in terms of themes, atmosphere, music, etc., the acting and the story are good. Bob Hoskins' performance is excellent: don't miss the tirade in the Savoy towards the end of the movie -- if only for that scene, the film would be worth watching!
The film mixes tension, ambiguity, violence and humour in a very British way. Highly recommended.
I have watched this film several times and never get bored. It is so well-written and memorable.
The screenwriter Barrie Keefe seems not to have written much more for film, which is a shame - the script sizzles. It is also deeply authentic, for the Cockney gangsters at the time late 70s, the gay scene, the slippery politics of northern Ireland (still going...), the slick USA mafia as hard drugs took over from simple villain ways for organised crime to make an income.
Bob Hoskins inhabits his role totally as a middle-aged Cockney gangster yearning for the old days and trying to build new life into his beloved East End and Docklands. Great to see that place as it was too - the empty wharfs, quays, docks and huge still cranes in a dead people-less landscape. Now all under Canary Wharf which is sort of what the main character wants to build.
See Pierce Brosnan in an early role (he's also a bit part in The Professionals) and Derek Thompson AKA Charlie from Casualty made his screen debut here too. Helen Mirren plays the gangster's mill, in effect, and is thus cast as ''hot totty' here.
Social class, generation difference, nationality, race, gender, sexuality - it is ALL here but not stuffed down the viewers' throat like the woke lectures and self-righteous sermonising of so many movies and TV dramas now.
Authentic language for the time, which 'some may find offensive'. Good, It is authentic and would be how corrupt London coppers spoke. Watch The Chinese Detective 1980 TV series to hear more. NOTHING is gratuitous - not the violence, and there is plenty, the sex, the gay sex, the language. THIS is how to make an AUTHENTIC film. Chuck away the diversity department booklet and just watch this on a loop.
One of the best thrillers EVER. 5 stars every day of the week.