Sensual love story about a beautiful, privileged woman who feels trapped with her wealthy husband and unfulfilled by a frivolous affair. She discovers romantic and sexual fulfilment in a chance meeting which alters the path of her life. It’s an ideal star vehicle for Jeanne Moreau as the sad, elegant lady of leisure.
She and Jean-Marc Bory share a potent chemistry as the photogenic lovers. With the lonely, hazy country lanes, the classic cars and clothes and the shabby-chic chateau, this is just beautifully directed by Louis Malle, and photographed in ultra-widescreen b&w.
And scored too, with the romantic chamber music of Johannes Brahms. Despite an overload of good taste, this ended up in the US supreme court, though eventually acquitted of obscenity. The sexual content is almost invisible today but was a revolution in ’58.
Like Lady Chatterley, re-imagined by the Nouvelle Vague... There is some eroticism, but it is more philosophical about love. What else can you want from a French film! It’s a poetic daydream remarkable for a depth of romantic intimacy beyond the range of ‘50s English language cinema.