The Meetings of Anna is one of those films that really pays off if you’re willing to sit with it. Nothing moves quickly—every scene lingers, and every silence feels loaded. Akerman frames each shot so beautifully that even the dullest hotel room feels deliberate. It’s such a smart piece of character work, letting us feel Anna’s loneliness without ever spelling it out. Conversations come and go, connections slip away, and you just absorb it all. It’s quiet, careful, and completely absorbing. If you’re in the right mood, it pulls you in and doesn’t let go.