A knife. This is – almost literally – at the heart of The Boys (1962), as it was at an earlier trial drama: Twelve Angry Men (1957). While that was confined to the jury's deliberation room one New York afternoon, Sidney Furie's London film not only takes place in a courtroom over which Felix Aylmer presides but it incorporates flashbacks, sometimes repeated, to scenes as recollected by witnesses of the events which ended with a night watchman killed.
Amidst those recollections are some by the four flashy youths accused of the crime, whose defence lawyer is none other than Robert Morley. This might sound preposterous but he, Groucho eyebrows and all, turns in as engaging a performance as the prosecuting counsel, Richard Todd.
At two hours, this has led some to say that it is a swollen production (although shorter than most trials); in fact, there is so much happening, with an array of character parts, including Steptoe as a lavatory attendant, that one's attention is continually engaged. Whether in the street, pub or atop a 'bus, the London of that era is wonderfully caught in a few moments of screen time. To say any more about the twists of events would be unfair: the title of this review gives an indication of the forensic detail.
Here is a film which should be far better known – and cherished for a Judge who asks, “what do you mean by yobboes?” This is on a level with the Judge who, a year or so later, would ask, “who are these Beatles?”
Another period detail. Nowadays, jurors are not allowed to wear hats. But in 1962, all of those three women upon the jury sported headgear.