Amazing film that covered all the class tensions and personal aspirations in these mining communities. For anyone who followed the miners strike of the early 1980s the issues with the trade unions is also portrayed prophetically in this film from the 1930s.
This landmark political polemic is also one of the great British films about class conflict. The introductory narration describes miners as 'the backbone of nations'. Yet they live in poverty. AJ Cronin's adaptation of his own novel advanced ideas about the future of the UK that would gather momentum over the war years.
Michael Redgrave plays an intelligent child from a northern mining town who can never escape the pull of his roots. This is due to the obstacles the poor must overcome to achieve their potential, and because he believes he must stay to fight for the future of his community. The collieries are owned by wealthy bosses who will sacrifice lives for profits.
Of course, there is a climactic pit disaster with bodies pulled out of the floodwater. Carol Reed stages this brilliantly on the huge studio set. But more impressive is the representation of the people in an era when the working class were rarely more than comic relief in British films. Their poverty is depicted starkly, without condescension.
The film is dominated by Redgrave. He delivers a couple of rousing editorialising speeches that put over Cronin's vision with punchy eloquence. But the whole cast creates a plausible impression of a resilient, suffering people. Reed's first great film captured an emerging national mood and was a huge success with the public.