A well measured and decently atmospheric occult horror of faith, knowledge and the clash between beliefs.
FILM & REVIEW Coming at the very end of the Hammer cycle - in fact the last film they made - its second the Dennis Wheatley adaptation after Devil Rides Out which was one of best films they made - this is very lacklustre in comparison. Lee is renegade priest Father Micheal who gets excommunicated for heresy and sets up to raise a child Catherine (Kinsky) when she become 18 will become a vessel for Satan. He father tries to stop this by engaging an Occult author Vernon (Widmark) to protect Catherine against Lee’s forces of darkness but he soon realises he is out of his depth. The biggest issue is that the film never really engages - it just seems to meander from scene to scene without anything really happening Lee is very good bringing his customery intensity but Widmark is there for the cheque ( and threatened to walk and go home on more that one occasion - good support from Elliot, Blackman and Valentine and nice use of the mid 70’s London locations but The Omen it ain’t . It’s also got one of lamest endings ever - it’s doesn’t end as just splutter as it runs out of steam - Should have been so much better - 3/5