This 1977 production was highly enthusiastically received. Speight Jenkins, the noted critic and opera impresario, wrote of Cornell MacNeil's Rigoletto in the New York Post that few have ever sung a more moving denunciation of the courtiers or a better Vengeance Duet with Gilda. His was a great Verdian interpretation...Dramatically (Domingo) and Miss Cotrubas did not make a false move, and the same camn be said for Justino Diaz' ominous, well-sung Sparafucile, Isola Jones, the Maddalena...while John Cheek made a stirring Monterone. conducted with the command of Verdi that has so often been his trademark. His adherence to the composer's markings, his rhythm and his opneing of the traditional small cuts in the opera all made for a superb musical performance.
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