This is a companion to William Wellman's The Ox-Bow Incident (1942), sharing the same writer and some of the cast, as well as its laconic style, abstract studio sets and absence of music. There is a different photographer, but similarly stark, ominous high contrast black and white. It's a fascinating, schematic heist narrative, from a story by WR Burnett.
Six men (Gregory Peck, Richard Widmark, et al) rob a bank and are chased into the salt desert of Death Valley. Rather than give themselves up, they continue into the barren, hostile wilderness. As their resilience gives way the outlaws stumble on a ghost town occupied by an old gold prospector (James Barton) and his rugged grand-daughter (Anne Baxter).
It unfolds like a medieval parable. The men destroy themselves as their desire for the gold and the woman open up their already significant divisions. It's really an anti-western. The men are ruined by their individualism, and the only survivor is Gregory Peck, the gunman who develops the capacity to compromise and not be ruled by impulse.
Predictably Peck plays the tough leader who develops some integrity and Widmark is the cruel, mercenary killer. There's little dialogue, just the visual impact of the derelict shacks huddled in the desert as the men betray each other. It's the sombre mood and melancholy cynicism that linger. It's one of the first of the western noirs to emerge after WWII, and one of the best.