Over-long, Disjointed but Watchable 'Politically Correct' Movie
- Zero Dark Thirty review by PV
This film is not bad - it is watchable if very VERY long. More like 2 or 3 episodes of a TV drama stuck together though than one cohesive story. Maybe that's because it ranges over 12 years and several countries? Maybe the story would be better served by TV though if that is the case?
This is also one of those films that shows history which is not history, but rather wish fulfilment of Hollywood producers and writers. According to this script, a lone woman - who is of course utterly courageous, compassionate, and superior to all men present (who are against her initially) - is responsible for the talking out of Osama Bin Laden. Yeah right. Sadly, a lot of people will believe this hogwash as fact - and Bigelow really does not need to stoop to such feminist propaganda levels either.
But it's a competent if unexciting movie - and is perhaps best in its initial scenes (which unusually for a US movie show the US forces in a bad light) and its final scenes (which are exciting to watch). Some well-drawn characters (oddly, the men are much better drawn as characters than the heroin women), interesting scenes, and a sense of menace in Pakistan and Afghanistan which is certainly true to life.
So average then - 3 stars.
Subtitles are recommended too even if you aren't hard of hearing, just to understand what everyone is saying over the noise!
1 out of 2 members found this review helpful.
An excellent thriller, brimming with suspense, even though we know how it ended...
- Zero Dark Thirty review by Philip in Paradiso
The film dramatizes the nearly decade-long international manhunt for Al-Qaeda leader Osama bin Laden after the September ‘11 attacks. This search, led by a stubborn and sharp female CIA officer (Jessica Chastain), leads to the discovery of bin Laden’s compound in Pakistan and the military raid that resulted in his death on 2 May 2011.
The film is long (2 1/2 hrs), but it should be pointed out that only the last 30 mins show the actual raid on the compound -- and in a highly realistic way. The first 2 hrs focus entirely on the search for bin Laden, showing how the CIA managed to track him down, also using torture in the process -- the early part of the movie, in this respect, is not pretty.
It is quite fascinating to see how the Americans succeeded in pinpointing the exact location of his residence, in Pakistan: this was no mean feat, considering the circumstances.
I thoroughly recommend this film, and the acting is good and convincing throughout. For the full facts: go to -- https://en.wikipedia.org/wiki/Death_of_Osama_bin_Laden
1 out of 1 members found this review helpful.
Turgid
- Zero Dark Thirty review by CP Customer
The subject matter is ostensibly interesting but the film itself is boring and hugely overrated.
The main character is completely one-dimensional - after nearly 3 hours I knew nothing about her except that she worked for the CIA.
1 out of 1 members found this review helpful.
A gripping & highly detailed look at the search for & eventual killing of Osama Bin-Laden
- Zero Dark Thirty review by TB
Kathryn Bigelow is a woman who has never been found on the set of a romantic comedy. Her films are muscular, macho & tough, examining many challenging subjects. After a varied filmography with some big successes (Point Break,) as well as notable failures (K19: The Widowmaker absolutely tanked at the box office,) Bigelow then released a small independent film called The Hurt Locker... It was critically revered, winning multiple Oscars, including the 1st for a woman director. Still to this day for me it is a near-perfect film, the tension & structure almost unbearable for its entire runtime, elevated by the excellent performances.
After this, expectations & excitement was at fever pitch, especially as almost the entire team from Hurt Locker reunited. And what they have come up with is in many ways a sort-of spiritual sequel; in the sense that it is set in the same world of war, terror & conflict, although this time firstly the main protagonist is a woman & as much as there are scenes set "on the ground" so to speak, the meat & potatoes of this film takes place in operation rooms, interrogation cells or dingy offices filled with spooks living on cold coffee & week-old doughnuts. But it is gripping & amazing filmmaking, with a stunning performance from Chastain at its center.
Maya Lambert is a brash, no-nonsense CIA analyst who is searching for Osama Bin-Laden, at that time the most wanted man in the world after his connections to the 9/11 terrorist attacks. When we meet her, she is involved with the torture of suspected affiliates to al-Qaeda, trying to get any scrap of information which could help lead them to Bin-Laden's location. Over the course of the story, set over many years, we follow Maya's journey as well as her absolute determination to find her target, this mission consuming her every thought.
One of the most infamous things about this film's production was the changing of real-world events which in turn meant the entire story had to be re-written. The original script was about the fruitless search for Bin-Laden, which Bigelow & the writer Mark Boal meticulously researched & were about to start filming. However, the killing of Bin-Laden then made them completely start from scratch on a new story, although vast swathes of this previous script, as well as the massive amounts of research were obviously brought across.
The other infamous criticism of this film is the extended scenes of torture at the beginning. I will be honest, I had a big problem with it, although for me, part of the dramatic message that the film used this for was to show the desperation of American intelligence doing anything to try & locate Bin-Laden. However, I also completely acknowledge & to a certain extent agree with the wide sentiment that the torture in this film is shown to get results when in reality the opposite was often the case: when someone is relentlessly tortured, after a while they will say anything to get their torturers to stop.
But for me, when taken as a whole, this film was a stunning & gripping manhunt, ending with the perfectly staged nighttime raid on the Pakistani compound where Bin-Laden was hiding. After the incredible build-up, the suspense & patience was masterfully constructed into an amazing set-piece. And the final rush of emotions at the end quite shocking.
At the center of this all is Chastain's Maya. In what for me is her best performance, she is perfect as the agent who stopped at nothing & bulldozed through everything & everyone to track down Bin-Laden. Written as a composite character, she shows the ability & skill of the many female operatives working within the intelligence services.
The only other essential thing to finish on is this: don't make the mistake I did... this film, especially the end raid, has to be watched either at night or in a pitch black room. I watched it on a summer's day with only some thin curtains to block out the light, which meant I missed a lot of the action.
0 out of 0 members found this review helpful.
An emotionally detached film
- Zero Dark Thirty review by RP
Kathryn Bigelow has directed an Oscar-winning followup to her previous Oscar-winner 'The Hurt Locker'. Only this time the Oscar was not for 'Best Picture', but (bizarrely, given the fact you'll probably need to use the subtitles to hear what's going on) for 'Best Sound Editing'. And that gives a clue - it isn't 'best picture' quality.
The film is a lengthy (2½ hours) pseudo documentary on the 10 year hunt for Osama Bin Laden, starting in September 2001 and culminating in his shooting in a raid on his compound in Pakistan in May 2011. The first 2 hours of the film deals with the questioning and torture of assorted detainees to obtain information and the following of several dead end leads, with the lead character (Maya, well played by Jessica Chastain) focusing relentlessly on a single named but unidentified suspect, a courier for Bin Laden. The final ½ hour covers the raid.
The film is a drama - but I didn't find it very dramatic. Yes, bits of it were tense, but frankly I can't see what the excitement was about. The characterisation was shallow, the events shown were simple snapshots, there was no placing of the events into a wider context. The attack on the World Trade Center led to not only a manhunt for Bin Laden but to full scale wars in Afghanistan and Iraq. And an attempt in the film to place the July 2005 London bombings in that context is misguided as these were carried out by home-grown terrorists without help from al-Qaeda / Bin Laden. I found the focus on a few individual CIA operatives to be a very shallow device, and if I can spot errors in the film it makes me wonder what other errors there are. But hey, this is a Hollywood movie...
The film left me cold. It's an emotionally detached film whose central character is recruited out of high school by the CIA and the single assignment she has worked on is the hunt for Bin Laden, has no friends, no boyfriends. I didn't feel any involvement with the characters nor the subject matter, which was (perhaps understandably) relentlessly US-oriented. I wasn't moved by the waterboarding / torture scenes. I certainly didn't enjoy it - but then it's not the kind of film you 'enjoy'. And I didn't like it very much.
I did enjoy the appearance of the late James Gandolfini as the CIA Director - despite his f-ing and blinding, I understand that at least was true to life...
3/5 stars. Pretty average stuff for me.
0 out of 1 members found this review helpful.
Gripping Political Thriller
- Zero Dark Thirty review by GI
An uncompromising, gritty and realistic political thriller and a dramatisation of the CIA's hunt for Osama Bin Laden. This is first class modern film making and a serious attempt at unravelling the morals and complexities of the US' 'War on Terror' campaign following 9/11. The film gained controversy in its scenes of CIA torture of suspects at 'black sites' in that it was accused of condoning the use of waterboarding and similar methods. This is wrong, those scenes are highly impactive and shocking and Kathryn Bigelow, the director, meant them to be. The film opens the debate about the use of such methods especially by a western democracy in the 21st century and admittedly the narrative weaves a difficult and blurred line allowing the viewer to see the complexity around what is happening. But it is clear the film condemns these things and questions the political morality at play. Jessica Chastain as Maya, a CIA operative, who becomes dedicated to locating Bin Laden, is at first repulsed by the torture she witnesses but late comes to utilise it's power to get what she obsessively wants. The film mixes in real footage to make the story seem all the more potent and includes scenes of the London 7/7 bombings. Ultimately this is a riveting thriller about the dirty world of intelligence gathering against a highly dangerous enemy and the surveillance scenes and climactic special forces attack on a compound are action cinema at its best. This is a breath taking piece of modern cinema and definitely a film to see. If you've missed it then I urge you check it out you won't be disappointed.
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