Lukas Moodysson returns with this raucous coming-of-age comedy set in 1982, Stockholm. Klara and Bobo are united as misfits by their love of music, ignoring their own lack or talent and the people who tell them punk is dead, the pair form their own band with shy classmate Hedvig. Between fighting over boys and provoking their metal-head nemeses, the three begin preparing for their debut live gig.
A good man intent on making the world a better place, Father James (Brendan Gleeson) is continually shocked and saddened by the spiteful and confrontational inhabitants of his small country town. One day his life is threatened during confession. He shrugs off the altercation and continues to perform his pastoral duties, trying as best he can to help his parishioners. Soon, however, the sinister and troubling undercurrents he has tried to ignore start to make their presence felt more keenly, and as the forces of darkness close in around him he begins to wonder if he will have the courage to face his own personal Calvary.
The Dresser is a compelling study of the intense relationship between the leader of the company and his dresser. Sir (Albert Finney), a grandiloquent old man of the theatre, has given his soul to career, but his tyrannical rule over the company is now beginning to crack under the strain of age and illness as he prepares for his two-hundred-twenty-seventh performance of King Lear. Sir's fastidious and fiercely dedicated dresser, Norman (Tom Courtenay), submits to Sir's frequendy unreasonable demands, tends to his health, and reminds him of what role he is currendy playing. The two men are essential to each others life.
A mysterious nanny, who secretly took over 100,000 photographs that were hidden in storage lockers and discovered decades later, is now considered among the twentieth century's greatest photographers. Maier's strange and riveting life and art are revealed through never-before-seen photographs, films and interviews with dozens who thought they knew her.
The story of Bob and Charlotte, two Americans in Tokyo. Bob (Bill Murray) is a movie star in town to shoot a whiskey commercial, while Charlotte (Scarlett Johansson) is a young wife tagging along with her workaholic photographer husband. Through their respective insomnias, the two cross paths one night in the luxury hotel bar and strike up a surprisingly intimate friendship. As the unlikely pair venture through Tokyo together, having often hilarious encounters with its citizens, they ultimately discover a new belief in life's possibilities.
Fin McBride (Peter Dinklage), a loner with a passion for trains, inherits an abandoned train depot in the middle of nowhere, a place that suits him just fine because all he wants is to be left alone. But that is not to be. Soon after moving in, he meets Olivia (Patricia Clarkson), a distracted artist, and Joe (Bobby Cannavale), a friendly Cuban with an insatiable hunger for conversation who parks his hot dog truck right next door. With absolutely nothing in common, they find their isolated lives coming together in a friendship none of them could foresee.
Life is going nowhere for Shaun (Simon Pegg). He spends his life in his local pub, The Winchester, with his best mate Ed (Nick Frost), has issued with his Mum and neglects his girlfriend Liz (Kate Ashfield). When Liz dumps him, Shaun finally decides to get his life in order. He must win back the heart of his girlfriend, repair his relationship with his mum and face up to the responsibilities of adulthood. Unfortunately, the dead are returning to life and attempting to eat the living. For the newly inspired Shaun, this is just another obstacle. In the face of a full-scale zombie epidemic, armed with a cricket bat and a spade, Shaun sets out with Ed in tow, to rescue his mum and grudgingly his step-dad, his girlfriend and even more grudgingly her friends David (Dylan Moran) and Dianne (Lucy Davis) and take them to the safest most secure place he knows, The Winchester.
Joel (Jim Carrey) is stunned to discover that his girlfriend, Clementine (Kate Winslet), has had their tumultuous relationship erased from her mind. Out of desperation, he contacts the inventor of the process, Dr Howard Mierzwiak (Tom Wilkinson), to get the same treatment. But as his memories of Clementine begin to fade, Joel suddenly realizes how much he still loves her.
In the spring of 1998 what we thought we knew changed forever. At a publication known for its integrity, one writer didn't stretch the truth… he created it.
Musician Gruff Rhys documents his latest musical road trip, retracing the fantastical American journey of his 18th Century relative, the explorer John Evans. In search of a lost tribe of Welsh-speaking Native Americans, Evans left Wales for America in 1792. Alone, he walked into the wilderness of the Wild West and reappeared seven years later as Don Juan Evans. 'American Interior', co-directed by Rhys and Dylan Goch, is an investigative concert tour. Fiction, fact, fantasy, myth and music documentary collide as Rhys flies like an eagle and howls like a wolf, following in the footsteps of his (extremely) Great-uncle.
Oscar nominated for Best Foreign Language film, Rithy Panh's latest adapts his memoir 'The Elimination', which tells of his childhood when he and his family were expelled from Phnom Penh and deported to camps in the country by the Khmer Rouge who took over Cambodia in 1975. Millions died from starvation, over-work or pure brutality. Rithy Panh was the only member of his family to survive. With a brilliant visual coup, Panh recreates and re-imagines life under the Khmer Rouge using tiny, hand-painted figurines. This allows him to visualize, in a profoundly affecting way these otherwise unfathomable traumas.
Lou is 12. She's creative and dreamy, and lives at home with her mum. She's been best friends with Mina since nursery, and she's been in love with Tristan, her neighbour, since preschool. Her mum has set aside her own personal life over the past few years to dedicate herself to her daughter, but their little bubble bursts when her Mum starts a new relationship and Lou finally plucks up the courage to speak to Tristan...
Harold Pelham (Roger Moore), a partner in a large electronics firm, finds himself in bewildering circumstances after recovering from a near-fatal car accident What causes him to renounce his high business principles? Why do friends and colleagues repeatedly sight him in places he has never been? And why does Julie (Olga Georges-Picot), an attractive girl he has seen only once, claim such an intimate relationship with him? Does Pelham really have a doppelganger - or is he losing his mind?
From acclaimed director Pawel Pawlikowski comes "Ida", a poignant and powerfully told drama about 18-year-old Anna, a sheltered orphan raised in a convent, who is preparing to become a nun when she discovers that her real name is Ida and her Jewish parents were murdered during the Nazi occupation. This revelation triggers a heart-wrenching journey into the countryside, to the family house and into the secrets of the repressed past, evoking the haunting legacy of the Holocaust and the realities of postwar Communism. Powerfully written and eloquently shot, "Ida" is a masterly evocation of a time, a dilemma, and a defining historical moment.
Tom travels to the country for the funeral of his lover. There, he's shocked to find that no one knows who he is, nor who he was to the deceased man, whose menacing brother soon sets the rules of a twisted game. In order to protect the family's name and grieving mother, Tom must now deny his own sexuality, while playing the peacekeeper in an isolated household whose obscure past bodes even greater darkness for his "trip" to the farm. This taut psychological thriller centres on the ever-growing gap between city and country and the often oppositional nature of men who live there.
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