del's - Favourites List

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Hoping to find work in Wales, David Goliath (Paul Robinson), a ship's stoker, boards a train and winds up in a small mining town.

There, his powerful physique and magnificent singing voice attract the attention of Parry (Simon Lack), the choir director, who hopes to win the national singing meet on the strength of David's vocal chords. Goliath soon finds himself embracing village life, working down the pit and singing with the choir. However, when a cave-in leads to disaster, the mine is closed and all the workers are left unemployed. Hoping to convince the owners to reopen the colliery, Goliath helps lead a group of activists in a walk to London. Along the way, they learn war has been declared, and begin to plan to get the mine up and running again in time to server the nation's needs.

Get on the Bus follows several black man on a cross country bus trip to the Million Man March. The bus contains an eclectic set of characters including a laid off aircraft worker, a Hollywood actor, a cop of a mixed racial background and a white bus driver.

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James Mason and James Coburn star in this gripping account of a doomed German platoon facing annihilation at Russian hands during 1943, who discover that their instinct for war is greater then their instinct for survival.

While the enemy attacks, two officers fuel the conflict with their hell-bent lust for personal vindictiveness and glory- all part of the greater absurdity called war.

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Flash Gordon (Sam J. Jones) is zapped from Earth into a sci-fi adventure on planet Mongo with his beautiful companion Dale (Melody Anderson).

In an attempt to put an end to Ming the Merciless' plans to destroy the Earth, Flash battles Ming's goons and declines the advances of the luscious Space Princess Aura (Ornelia Muti). With the help of Prince Barin (Timothy Dalton) and Prince Vultan (Brian Blessed) Flash Gordon takes the Ming empire by storm...

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Paul Newman heads a superb cast featuring Jackie Gleason, George C. Scott and Piper Laurie in this riveting film that received an Academy Award nomination as Best Picture of 1961 and brought all four of its stars Oscar nominations.

Newman is electrifying as Fast Eddie Felson, an arrogant, amoral hustler who haunts back street pool rooms fleecing anyone who'll pick up a cue. Determined to be acclaimed as the best, Eddie seeks out the legendary Minnesota Fats, who's backed by Bert Gordon. The love of a lonely woman could turn Eddie's life around, but he won't rest until he bests Minnesota Fats, no matter what price he must pay.

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His crime: nonconformity. His sentence: the chain gang. Paul Newman plays one of his best-loved roles as Cool Hand Luke, the loner who won't - or can't - conform to the arbitrary rules of his captivity.

It recalls other hallmark Newman performances: Luke is The Hustler without a dream of victory, Harper without a moral mission, Hud without a father to defy. A cast of fine character actors, including George Kennedy in his Academy Award-winning role of Dragline, gives Newman solid support as fellow prisoners. And Strother Martin is the Captain who taunts Luke with the famous line, "What we've got here is...failure to communicate." No failure here. With rich humour and vibrant storytelling power, 'Cool Hand Luke' succeeds resoundingly.

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In this outstanding psychological and political thriller, we get a fascinating insight into the lengths and depths that the East European government went to in order to keep tabs on the lives of its population in 80's.

When cold and brutal official Wiesler (Ulrich Mühe) is given the task of spying on acclaimed playwright Dreyman (Sebastian Koch) and his actress girlfriend, he relishes the task, knowing that if he uncovers subversive behaviour he will gain favor with his boss. But the longer he listens in on the couple, their friendships, passions and ideas, the more he realises that his own life and the harsh political regime are lacking in color and joy in many respects. Slowly he begins to doubt morality of is job and politics. As the lines between orders and compassion become blurred, Wiesler becomes more involved with his subject, walking a dangerous path between his duty and his new found reality.

In Spike Lee's dramatic and explosive treatment, Denzel Washington stars as controversial black activist, Malcolm X. From an early life as a pimp and drug-pusher, he became the leading voice of America's black consciousness, feted by some as a visionary and despised by others as a dangerous radical.

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Like a brand, the letter M has made it's mark on film history; it's disturbing theme having lost none of its impact or relevance. Sinister, dark and foreboding, M tells the story of Hans Beckert (Peter Lorre) - child molester and murderer. Tension builds - a child late home - another child missing.

Posters reveal the fate of earlier victims, and the Police seem to have few clues as to the perpetrator of the crimes. Gangsters, beggars and petty criminals, incensed by both the crimes and the Police crackdown, track the killer themselves. Cornered, caught and dragged off to face an equally barbaric form of justice, Beckert endures his own personal torment.

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Sean Bean stars as maverick British rifleman Richard Sharpe in this romantic adventure set during the bloody conflicts of 19th Century Napoleonic Spain.

Ordered to lay siege to the French stronghold - the walled city of Badajos - Sharpe is torn between overcoming the enemy, and rescuing his lover - the beautiful guerrilla fighter Teresa now trapped in the city on a secret mission spying for the British. There is one thing Sharpe hasn't counted on, the evil presence of his old enemy Hakeswill (Pete Postlethwaite), who is determined to stop him at all costs.

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New York, 1955, Private Detective Harry Angel (Mickey Rourke) has a new case on his hands. Washed up crooner Johnny Favorite has gone missing. Anybody that might be holding clues is being killed. Informants and witnesses are being murdered one by one.

The bodies are piling up, time is running out and Harry Angel is being kept awake at night by strange satanic visions. From the mean streets of New York to the backwoods of New Orleans, Harry suddenly finds himself being dragged into a world of sex, murder, voodoo and death. This is no ordinary case, and Harry is no ordinary detective.

Towering ominously among the shadows of the Carpathian Mountains, Castle Dracula strikes fear in the hearts of the Transylvanian villagers below.

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When Susy (Angharad Aubrey) drowns in the bath, Joey (William Dix) is blamed for her death. Virginia (Wendy Craig) suffers a breakdown and Joey is sent to a special school where he is analysed by psychologists.

Shunned by her exasperated husband, the grief-stricken Virginia needs Nanny (Bette Davis) more than ever. Unfortunately Joey's stay in the institution has done little to mellow him. When he returns he insists that he was not involved in Susy's death, and maintains that his sister was actually murdered by the evil Nanny. After a further 'accident' in the house. Penny arrives to look after the obnoxious Joey. Soon, however, Penny begins to suspect that the boy may have been telling the truth all along...

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Imprisoned on infamous Devil's Island, Papillon (Steve McQueen) is obsessed with the idea of freedom. Together with his friend Dega (Dustin Hoffman), Papillon ceaselessly works on means of escape, his spirit refusing to be broken by savage and humiliating treatment from their captors.

One of the few epic films which more than lives up to the promise of the greatest best seller on which it is based - aided by the unforgettable performances of Hoffman and McQueen. A must-see classic!

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"Lucky" follows the spiritual journey of Harry Dean Stanton's character 'Lucky', a cantankerous, self-reliant 90 year old atheist, and the quirky characters that inhabit the Arizona town where he lives.

Having out-lived and out-smoked all of his contemporaries, the fiercely independent Lucky finds himself at the precipice of life, thrust into a journey of self-exploration, leading towards that which is so often unattainable: enlightenment. Released in the US just days after Stanton's death at age 91, 'Lucky', is at once a love letter to the life and career of Harry Dean Stanton as well as a meditation on mortality, loneliness, spirituality, and human connection.