"Boyz N the Hood" is the critically acclaimed story about three friends growing up in a South Central Los Angeles neighborhood, and of street life where friendship, pain, danger and love combine to form reality. "The Hood" is a place where drive-by shootings and unemployment are rampant. But it is also a place where harmony co-exists with adversity, especially for the three young men growing up there: Doughboy (Ice Cube), an unambitious drug dealer; his brother Ricky (Morris Chestnut), a college-bound teenage father; and Ricky's best friend, Tre (Cuba Gooding Jr.), who aspires to a brighter future beyond the "The Hood". In a world where a trip to the store can end in death, the friends have diverse reactions to their bleak surroundings. Tre's resolve is strengthened by a strong father (Larry Fishburne) who keeps him on the right track. But the lessons Tre learns are put to the ultimate test when tragedy strikes close to home, and violence seems like the only recourse.
Hando (Russell Crowe), the psychotic leader of a gang of marauding neo-Nazi teenagers, begins a relationship with the epileptic Gabrielle (Jacqueline McKenzie), but though they at first make a good team the courtship soon turns abusive. Though Gabrielle has designs to take Hando away from his Life of crime and destruction, his indoctrination into a racist world viewpoint seems all-consuming. Hard-hitting and at times cruel, this sadistic drama bleeds with unpalatable truths and difficult to face up to notions of culture, identity and working-class disintegration.
They came. They conquered. They looked fabulous! With a contract to perform a drag show way out in the Australian desert, Tick (Hugo Weaving), Adam (Guy Pearce) and Bernadette (Terence Stamp) each has his own reason for wanting to leave the safety of Sydney. Christening their battered, pink tour bus "Priscilla", this wickedly funny and high-drama trio heads for the outback...and into crazy adventures in even crazier outfits. You go, girls!
Annemarie Jacir's latest film is set over the course of a day in Nazareth, the largest Arab majority city in Israel, and stars real-life father and son Mohammad and Saleh Bakri playing a father and his estranged son. Abu Shadi (Mohammad Bakri) is a divorced father and a school teacher in his mid-60's living in Nazareth. After his daughter's wedding in one month he will be living alone. Shadi (Saleh Bakri), his architect son, arrives from Rome after years abroad to help his father to hand-deliver the wedding invitations to each guest, which is the local Palestinian custom. As the pair spend the day together, the tense details of their relationship come to a head, challenging their fragile and very different lives.
Winner of numerous festival prizes all over the world, 'When I Saw You' is the second film from the Jordan-based Palestinian film-maker Annemarie Jacir, (and Palestine's 2012 Oscar' entry) and is set in 1967 when thousands of Palestinian refugees fled to camps in Jordan in the wake of the June War. The 11 year-old Tarek, along with his mother Ghaydaa, has been separated from his father in the general chaos. Stifled and bored in the refugee camp, Tarek goes in search of his father in the forest around and ends up with a group of fedayeen who adopt him as a kind of mascot. Soon his mother arrives too, and they try to make their way home, leaving behind victimhood with a new-found sense of hope and freedom.
When the Hellmouth opens beneath Darkplace Hospital in downtown Romford, kiddy doctor, Vietnam veteran and ex-warlock Dr. Rick Dagless M.D. (Garth Marenghi) is the only man who can close it. Joined by best buddy Dr. Lucien Sanchez (Todd Rivers), fiery hospital boss Thornton Reed (Dean Learner), and woman Liz Asher (Madeleine Wool), Dagless must fight the forces of Darkness while dealing with the burden of day-to-day admin.
It's 1948 and Los Angeles is booming, but Easy Rawlins (Denzel Washington) has seen better days. He has just been fired and his house payments are due, so when DeWitt Albright (Tom Sizemore) offers him a seemingly harmless job he jumps at the chance. All he has to do is track down the elusive Daphne Monet (Jennifer Beals), a mysterious beauty known to keep company on the wrong side of town. Soon he finds himself implicated in two murders and is forced to call upon an old friend, Mouse (Don Cheadle), who is all too familiar with the violent world Easy has landed himself in. Slowly drawn deeper and deeper into a web of blackmail, dirty cops and even dirtier politicians, the ways out for Easy become harder and harder to find...
Jo (Rita Tushingham) is an awkward, shy 17-year-old girl living with her promiscuous alcoholic mother, Helen (Dora Bryan) in the grey, bleak, tenement houses of Manchester. Desperately longing to simply be loved, when her mother's latest boyfriend drives Jo out of their apartment she spends the night with a black sailor on a brief shore leave. When Jo's mother abandons her to move in with her latest lover, Jo finds a job and a room for herself. Then Geoffrey (Murray Melvin) drifts into her world, a shy and lonely homosexual, with whom she agrees to share her flat. When Jo discovers that she is pregnant with the sailor's child, Geoffrey, Grateful for her friendship, looks after her, even offering marriage. But their brief taste of happiness is short-lived for Jo's fickle and domineering mother wants to be part of the picture.
The legend of King Arthur and the Knights of the Round Table receives its most impressive screen treatment in Excalibur, from visionary movie maker John Boorman. All the elements of Sir Thomas Malory's classic 'Le Morte D'Arthur' are here: Arthur (Nigel Terry) removing the sword Excalibur from the stone; the Round Table's noble birth and tragic decline; the heroic attempts to recover the Holy Grail; and the shifting balance of power between wily wizard Merlin (Nicol Williamson) and evil sorceress Morgana (Helen Mirren).
This dramatisation of John Le Carre's novel proved a landmark in British Television. It received supreme critical acclaim for the screenplay by Arthur Hopcraft, the star Alec Guiness and the camerawork of Tony Pierce-Roberts. In Alec Guiness's first major TV role he plays George Smiley, a retired agent who is secretly brought into 'the Circus' (the code name for British Secret Intelligence Service) to root out a top-level mole. Gradually piecing together the story, the weary but determined Smiley trawls through the murky waters of Cold War espionage and his own past.
Marina Vidal's life is thrown into turmoil following the sudden death of her partner, Orlando. Met with suspicion from the police and contempt from her lover's relatives. As tensions rise between her and Orland's family, she is evicted from their shared home and banned from attending his funeral. But faced with the threat of losing everything, Marina finds the strength to fight back. Sebastián Lelio returns with a groundbreaking, deeply humane and Oscar-winning story about a trans woman's fight for acceptance. Anchored by a powerhouse performance from rising star Daniela Vega, 'A Fantastic Woman' is an urgent call for compassion.
Paul Atreides (Timothée Chalamet), a brilliant, gifted young man born into a destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence, only those who can conquer their fear will survive.
Poly Styrene was the first woman of colour in the UK to front a successful rock band. She introduced the world to a new sound of rebellion, using her unconventional voice to sing about identity, consumerism, postmodernism, and everything she saw unfolding in late 1970s Britain, with a rare prescience. As the frontwoman of X-Ray Spex, the Anglo-Somali punk musician was also a key inspiration for the riot grrrl and Afropunk movements. But the late punk maverick didn't just leave behind an immense cultural footprint. She was survived by a daughter, Celeste Bell, who became the unwitting guardian of her mother's legacy and her mother's demons. Misogyny, racism, and mental illness plagued Poly's life, while their lasting trauma scarred Celeste's childhood and the pair's relationship. Featuring unseen archive material and rare diary entries narrated by Oscar-nominee Ruth Negga, this documentary follows Celeste as she examines her mother's unopened artistic archive and traverses three continents to better understand Poly the icon and Poly the mother.
Kurosawa's transposition of Shakespeare's Macbeth to sixteenth century Japan is immensely successful in capturing the spirit of the original. A truly remarkable film combining beauty and terror to produce a mood of haunting power. 'Throne of Blood' also shows Kurosawa's familiar mastery of atmosphere, action and the savagery of war.
Marlene Dietrich and James Stewart ride high in this superb comedic western, both a boisterous spoof and a shining example of its genre. As the brawling, rough-and-tumble saloon singer Frenchy, Dietrich shed her exotic love-goddess image and launched a triumphant career comeback, while Stewart cemented his amiable every-man persona, in his first of many westerns, with a charming turn as a gun-abhorring deputy sheriff who uses his wits to bring law and order to the frontier town of Bottleneck. A sparkling script, a supporting cast of virtuoso character actors, and rollicking musical numbers - delivered with unmatched bravado by the magnetic Dietrich - come together to create an irresistible, oft-imitated marvel of studio-era craftsmanship.
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