Patrick Troughton stars in this recreation of a lost classic from 1967. The Tardis has been stolen. Marooned on Earth in the year 1966, the Doctor (Patrick Troughton) and Jamie (Frazer Hines) set out to find the missing time-machine. Their investigations bring them to a mysterious London antiques shop, where all the antiques all seem to be brand new. Kidnapped by the antique shop's owner, the Doctor is then brought face to face with a very old enemy - the Daleks. Working from a house in Victorian England, the Daleks have a new masterplan to conquer the universe. And in order to carry it out, they need the Doctor's help. The original 1967 master recordings of 'The Evil of the Daleks' were lost soon after the programme's original transmission. However, audio-only recordings of all seven episodes have survived and have been used here to create a brand new fully animated presentation of this lost classic.
The letter of the title is written with a poisonous pen: the three women (portrayed by Jeanne Crain, Linda Darnell, and Ann Sothern) receive a note stating that one of their husbands has run off with a woman named Addie Ross - which husband in particular, however, remains unmentioned, though each husband had their own affinity for Ross. And so amid the women's mounting anxiety commences a series of flashbacks, each telling the story of how the three individual marriages had come in their own way to be so strained at the present...
The Doctor (Voice of William Hartnell) stars alongside his travel companions Vicki (voice of Maureen O'Brien) and Steven (voice of Peter Purves) which sees the Tardis landing on a planet on the verge of total annihilation as it drifts too close to the three suns which its orbits. Trapped on the planet with them are the Drahvins, a race of warrior women, and the reptilian Rills. The Drahvins want to steal the Rill spaceship to escape the planet's death throes, and enlist the Doctor's help, which he is forced to give when Maaga, the cunning Drahvin leader, keeps first Vicki and then later Steven as her hostage. Even though the Doctor is determined to broker a peace deal between the two sides in this conflict and help everyone escape safely, Maaga doesn't trust him. Or the Rills...
Based upon the popular series of novels written by Herman C. McNeile, the dashing, debonair, daredevil, proto-Bond private detective Hugh "Bulldog" Drummond (John Lodge) returns to the silver screen in his ninth movie adventure. 'Bulldog Drummond at Bay' finds our fighting hard, playing hard, living clean hero opting for the quiet life in an old country house in the English countryside. But it isn't long before intrigue and danger decide to give him a visit. An evil arms dealer is after the plans for a supersonic, super secret warplane and kidnaps its inventor. It's up to Bulldog Drummond to save the day in his own inimitable way in this engrossing, action packed adventure.
The Tardis arrives in London, 1966, where the Doctor and Dodo visit the recently opened Post Office Tower. At its top they discover a brilliant new problem-solving super computer - the Will Operating Thought ANalogue. But when Wotan decides that it should rule the world, the Doctor is the only person who can stop its rampaging War Machines from destroying London. Luckily, he has the help of a young secretary called Polly and a sailor called Ben...
Before Bond there was Major Hugh "Bulldog" Drummond; fighter, lover, crime crusader, dashing daredevil and one hell of a good chap. He was Britain's answer to the hardboiled detectives of Hollywood and American pulp fiction. He was a man willing to risk everything to save the day and get the girl. Based on H.C "Sapper" McNeile's best selling second novel, The Return Of Bulldog Drummond is the sixth film adaptation in the popular series of truly thrilling action adventure movies. Starring British icons of stage and screen Ralph Richardson and Ann Todd. Bulldog Drummond has to keep his wits about him these days. Trouble is on the horizon and he's the only man qualified to deal with it. But after his own wife is kidnapped by a band of ruthless villains working for a corrupt arms dealer, retired army officer Hugh "Bulldog" Drummond may have to enlist the help of a few old friends. The mysterious organisation "Black Clan" are on a crusade to destroy criminal masterminds and are more than willing to help out our hero at large.
The Tardis lands on the Northumbrian coast, where new companion Steven discovers a Viking helmet and the Doctors deduces they must have arrived in the 11th century. Steven remains sceptical, especially when he and Vicki encounter what appears to be a Saxon hunter with a modern wristwatch. Investigating a nearby monastery, the Doctor discovers further anachronisms. Who is the mysterious monk observing the time travellers' every move, and why is he so interested in the outcome of the Battle of Hastings?
Talk About Jacqueline (1942)
A girl with a chequered past tries to conceal it from her husband and lets her sister take the blame, hut confesses after a crash and all is forgiven.
St. Martin's Lane (1938)
A London street entertainer teams up with a lady pickpocket who is a good dancer. This attracts the attention of a theatre owner and opens doors for troupe.
Dr. Laurience (Boris Karloff) is a brilliant brain scientist who has made a startling discovery; he has learned how to transfer the thoughts and personality from one human to another. To help him with his experiments he recruits a former student, Dr. Clare Wyatt (Anna Lee), herself a brilliant scientist who shares his passion for his work, if not his ethics. Laurience is visited by a wealthy entrepreneur, Lord Haslewood (Frank Cellier), who makes him a proposition; Haslewood will fund all of the doctor's experiments, if he will agree to publish his results exclusively in Haslewood's newspapers. The promise of unlimited resources is too much for Laurience, and he agrees. However when the time comes to share his work with the London scientific community, the doctor is ridiculed, further fuelling his madness. To gain revenge Laurience constructs an evil plan which will help him achieve immortality, a plan which results in murder.
Meet a dewy-eyed ingenue, a gee-whiz tenor, stuck-up stars, hard-up producers, brassy blondes and "shady ladies from the 80s". They're all denizens of 42nd Street, belting out ageless Harry Warren/Al Dubin songs and tapping out Busby Berkeley's sensational Depression - lifting production numbers. The put-on-a-show plot spins merrily, full of snappy banter and new faces Ruby Keeler, Dick Powell and Ginger Rogers. The show-stopping numbers (Shuffle off to Buffalo, You're Getting to Be a Habit with Me and the title tune) still dazzle. Looking and sounding its best in years via this new digital transfer from the restored original camera negative and optical audio tracks, 42nd Street shows good times never go out of style.
The rape she suffered as a teenager continues to haunt young Italian girl Maddalena (Phyllis Calvert), so much so that she develops a split personality. Her double life as the wife of a successful wine merchant and a Gypsy woman leads her into a treacherous relationship with a criminal ringleader (Stewart Granger) preying on tourists visiting the city of Florence.
Pete Fleming (John Bentley) is a Private Detective called into service by Denis Clayton (Alexander Gauge), an advertising executive whose wife recently committed suicide. Clayton wants to trace one of his photographers who he believes has stolen some of his late wife's jewellery. As Fleming begins to investigate, it becomes clear the case is actually far more complicated and sinister than it first appeared!!
As the Napoleonic War rages, the Scots Highlanders are forced off their ancestral lands by unscrupulous landlords and driven almost into the ocean. Trapped on the bleak and barren North-East coast of Scotland, they have to pursue the one thing of value to be found there...the rich shoals of herring. Setting out on merciless seas in tiny boats, they risk their lives daily to give their families hope...When young Catrine (Helen Shingler) loses her husband to a navy press gang while he pursues the herring, she sets out to make a fresh start for herself. But Roddie (Clifford Evans), the new man in her life, is the skipper of a herring boat and she must learn to live with the fear of losing him too. As her son Finn grows to manhood, she recognises that the sea is in his very blood. Catrine will try anything to prevent Finn from taking to the ocean, but there seems no alternative - and she may one day lose both the man she loves and her own son to the treacherous ocean swell... A two-year labour of love by writer and director Clarence Elder and star and associate director Clifford Evans, The Silver Darlings is a sincere and stirring tribute to the men who forged the Scottish fishing industry with raw courage, determination and vision. With its stunning use of natural Highland locations, it also offers a visual celebration of the Scottish coastline that has seldom been equalled.
Love's A Luxury (1952)
A theatre producer and actor try in vain to have a quiet week in a country cottage. But their efforts turn into comic disaster as a variety of wives, girlfriends and scoutmasters arrive uninvited.
What A Carry On! (1949)
Comedy greats, Jimmy Jewel and Ben Warriss decide to enlist in the army. Their singing sergeant-major, the Irish tenor Josef Locke, misappropriates the mess funds. When he picks on Jewel and Warriss, the duo's comic routines come thick and fast.
This film was another blockbuster from Mancunian Studios but was considered lost until a poor quality print was uncovered. This shortened version is the only record of the Jewel and Warriss partnership. Despite its variable quality, it has been added as a bonus feature for their many fans.
Betty (Betty Balfour) is a spoilt rich girl who leads a life of luxury on the profits from her father's (Gordon Harker) champagne business. However, when she decides to elope with her fortune-hunting suitor, daddy decides that enough is enough: He tells her that his business has crashed and that there's no more money. Betty must now must face the glamourous 1920's from a very different perspective and discover the world of work - how will she cope?
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