What do the most ravishingly beautiful actress of the 1930's and 40's and the inventor whose concepts were the basis of cell phone and bluetooth technology have in common? They are both Hedy Lamarr, the glamour icon whose ravishing visage was the inspiration for 'Snow White' and 'Catwoman' and a technological trailblazer who perfected a radio system to throw Nazi torpedoes off course during WWII. Weaving interviews and clips with never-before-heard audio tapes of Hedy speaking on the record about her incredible life - from her beginnings as an Austrian-Jewish emigre to her scandalous nude scene in the 1933 film 'Ecstasy' to her glittering Hollywood life to her ground-breaking, but completely uncredited inventions - 'Bombshell: The Hedy Lamarr Story' brings to light the story of an unusual and accomplished woman, spurned as too beautiful to be smart, but a role model to this day.
The life and controversial death of Vincent van Gogh as told by his paintings and by the characters that inhabit them. Beginning a year after his demise, this portrait of the artist is built via a series of interviews conducted by Armand Roulin (Booth) - a regular model for the artist's portraits - who becomes obsessed with van Gogh's death, caused by a bullet wound to the stomach. Was it an accident? Was it suicide? 'Loving Vincent' sets out to explore one of art's great mysteries, a unique film created using over over 65,000 hand painted frames and features music from the award winning composer Clint Mansell (The Fountain; Black Swan).
Inspired by real events, "Land of Mine" follows the dramatic story of the young German prisoners who, as World War II came to an end in 1945, were forced to defuse and remove two million mines on the Danish Coast. Presided over by tough veteran Sergeant Carl Rasmussen (Roland Mailer), these teenage POW's were treated with hostility whilst being forced to dig up the mines from the sand with their bare hands with little training. When Rasmussen begins to sympathise and promises their release back to Germany when the task is completed, they soon realise that the war is far from over.
The much-anticipated sequel finds Paddington happily settled with the Brown family in Windsor Gardens. While searching for the perfect present for his beloved Aunt Lucy's 100th birthday, Paddington spots a unique pop-up book in Mr. Gruber's antique shop, and embarks upon a series of odd jobs to buy it. But when the book is stolen, it's up to Paddington and the Browns to unmask the thief...
Clara (Sonia Braga), a 65 year old widow and retired music critic, was born into a wealthy and traditional family in Recife, Brazil. She is the last resident of the Aquarius, an original two-story building, constructed in the 1940s, in the upper-class, seaside Avenida Boa Viagem, Recife. All the neighbouring apartments have already been acquired by a company which has other plans for that plot. Clara has pledged to only leave her place upon her death, and will engage in a cold war of sorts, a confrontation which is both mysterious, frightening and nerve-wracking. This tension both disturbs Clara and gives her that edge on her daily routine. It also gets her thinking about her loved ones, her past and her future.
Everyone's a suspect when a murder is committed on a lavish train ride, and a brilliant detective must race against time to solve the puzzle before the killer strikes again.
When devout university student Nour (Shaden Kanboura) moves in with successful lawyer Laila (Mouna Hawa) and club DJ Salma (Sana Jammelieh), she is shocked by their lifestyle. As Laila fights to retain her freedom in the face of a new relationship, Salma falls for beautiful trainee doctor Dounia (Ashlam Canaan), a romance she must hide from her family. Nour is set for an arranged marriage to Wissam, an exemplary member of the community who may not be as respectable as he appears. 'In Between' follows the lives of these strong, independent minded Palestinian-lsraeli women in Tel Aviv. Away from the constraints of their families and enforced tradition, they find themselves 'in between' the free and unfettered lives they aspire to lead and the restrictions imposed on them by a blinkered society. First-time director Maysaloun Hamoud's exhilarating depiction of the lives of 'liberated' Palestinian women in Israel earned her the first Palestinian fatwa in 70 years.
An award-winning historical drama based on a true story about three dramatic days in 1940, when the King of Norway was presented with an unimaginable ultimatum from the German armed forces: surrender or die. With the German Air force and soldiers hunting them, the Royal Family is forced to flee from the capital - parting ways without knowing if they'll ever see each other again. The Crown Princess Martha (Tuva Novotny) leaves Norway with the children to seek refuge in Sweden, whilst King Haakon (Jesper Christensen) and the Crown Prince Olav (Anders Baasmo Christiansen) stay to fight. After three days of desperately trying to evade the Germans, Haakon makes his final decision; he refuses to capitulate, even if it may cost him, his family and many Norwegians their lives.
Chronicling the adventures of an eccentric, resilient and tight-knit family, 'The Glass Castle' is a remarkable story of unconditional love. Oscar winner Brie Larson brings Jeannette Walls's best-selling memoir to life as a young woman who, influenced by the joyfully wild nature of her deeply dysfunctional father (Woody Harrelson), found the fiery determination to carve out a successful life on her own terms.
Kristina Grozeva and Petar Valchanov's follow-up to 'The Lesson' is a social parable about a humble man who gets unwillingly celebrated. Railway linesman Tsanko (Stefan Denolyubov) finds lots of bank notes on the tracks. When he reports the money rather than pocketing it, the Ministry of Transport - embroiled in a scandal - takes the opportunity to parade their new hero. But Tsanko might not be a PR person's dream. Yet compared to PR head Julia (Margita Gosheva), he's an angel. When Julia removes his watch - a Russian-made Slava (Glory), inscribed and presented to him by his father - for the ceremony to present him with a new one, it sets off a chain of events that threatens to bring down the Ministry thanks to a combination of corruption, irresponsibility and arrogance.
The future looks promising for amateur actors Emad (Shahab Hosseini) and Rana (Taraneh Alidoosti) as they prepare for opening night on their production of Arthur Miller's 'Death of a Salesman'. However, when dangerous work on a neighbouring building forces the couple to leave their home and move into a new apartment, a case of mistaken identity sees a shocking and violent incident throw their lives into turmoil. What follows is a series of wrong turns that threaten to destroy their relationship irreparably. Academy-Award winning filmmaker Asghar Farhadi (A Separation) returns with 'The Salesman', a characteristically taut drama exploring how unexpected cracks can form in the foundations of a seemingly happy marriage.
The isolated and naive Lord Perceval (Fabrice Luchini) sets out on a quest to become a benevolent knight after he encounters what he thinks are godly beings. His travels take him on an awkward crusade into strange new worlds, finally ending in the court of King Arthur and his Knights of the Round Table.
Klaus Haro's "The Fencer" is a touching true life drama about Endel Nelis, a young man who arrives in Haapsalu, Estonia, in the early 1950s. Having left Leningrad to escape the secret police, he finds work as a teacher and founds a sports club for his students. Endel becomes a father figure to his students and starts teaching them his great passion - fencing, which causes a conflict with the school's principal. Envious, the principal starts investigating Endel's background... Endel learns to love the children and looks after them; most are orphans as a result of the Russian occupation. Fencing becomes a form of self-expression for the children and Endel becomes a role model. The children want to participate in a national fencing tournament in Leningrad, and Endel must make a choice; risk everything to take the children to Leningrad or put his safety first and disappoint them.
Jia Zhangke's eighth feature is an intimate yet epic drama spanning several decades which charts the impact of China's move towards capitalism on the lives of one family. Divided into three parts (set in 1999, 2014 and Australia in 2025), 'Mountains May Depart' follows the life of Shen Tao (played by Jia's regular collaborator Zhao Tao) and her family through 26 tumultuous years. Perhaps his most ambitious film yet, Jia's film is an astute, humane study of how the emergent culture of capitalist materialism and the forces of globalisation have impacted on Chinese society and family life.
Company commander Claus Pedersen (Pilou Asbæk) and his men are stationed in an Afghan province. Meanwhile, back in Denmark, Claus' wife Maria (Tuva Novotny) is trying to hold everyday life together with a husband at war and three children missing their father. During a routine mission, the soldiers are caught in heavy crossfire and in order to save his men, Claus makes a fateful decision that leads to a tragedy that could seriously affect his military career and family life.
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