google's - Rented List

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One of the great films by Stanley Donen after the studio era had come to a close, 'Two for the Road' was a break-off with the old system, one which allowed Donen to further stretch his art, aided by screenwriter Frederic Raphael (Stanley Kubrick's Eyes Wide Shut, John Schlesinger's Darling), in

this tale of a couple voluntarily stretching themselves through the long period of their relationship. Portrayed in fragments that span the couple's time together in marriage, 'Two for the Road' runs the course of a relationship (between Audrey Hepburn and Albert Finney) that finds a circumstantial come-together escalate into newlywed-status and, through a series of travails, into the serious situation of bearing a daughter. The disturbance of marriage, and/or life, is chronicled from here on.

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A masterwork of the German Silent Cinema whose reputation has only increased over time, 'Diary of a Lost Girl' traces the journey of a young woman from the pit of despair to the moment of personal awakening. Directed with virtuoso flair by the great G.W.

Pabst, 'Diary of a Lost Girl' represents the final pairing of the filmmaker with screen icon Louise Brooks, mere months after their first collaboration in the now-legendary Pandora's Box. Brooks plays Thymian Henning, an unprepossessing young woman seduced by an unscrupulous and mercenary character employed at her father's pharmacy (played with gusto by Fritz Rasp, the degenerate villain of such Fritz Lang classics as Metropolis, Spione, and Frau im Mond). After Thymian gives birth to the child and subsequently rejects her family's expectations for marriage, the baby is stripped from her care, and Thymian is relegated to a purgatorial reform school that functions less as an educational institution and more like a conduit for fulfilling the headmistress's sadistic sexual fantasies.

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Eva (Swinton) puts her ambitions and career aside to give birth to Kevin, but the relationship between mother and son is difficult from the very first years.

When Kevin is 15, he does something irrational and unforgivable in the eyes of the community, leaving Eva grappling with her own feelings of grief and responsibility. Did she ever love her son? And how much of what Kevin did was her fault?

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Charting the turbulent relationship between a train-driver and a married woman as they plot to kill her husband, Renoir's adaptation of Emile Zola's classic novel is often cited by critics as one of the director's greatest films.

Made at the height of Renoir's 1930s poetic realism period, the film also has shades of film-noir with its sexually charged story and self-destructive, hard-boiled anti-hero. Featuring a truly unforgettable performance by Jean Gabin as Lantier, the tormented train-driver, 'La Bete Humaine' was one of Renoir's biggest successes and is just as compelling today as when it was first released.

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Terence Davis' lyrical hymn to childhood revisits the same territory at his prize winning debut feature distant voices, still lives, this time focusing on his own memories of growing up in a working-class, catholic family in Liverpool.

Eleven-year-old bud (a heartbreaking performance from Leigh McCormack) finds escape from the greyness of 50's Britain through trips to the cinema and in the warmth of family life. But as he gets older, the agonies of the adult world-the casual cruelty of bullying, the tyranny of school and the dread of religion-begin to invade his life.

From filmmaker Alex Garland comes a journey across a dystopian future America, following a team of military-embedded journalists as they race against time to reach DC before rebel factions descend upon the White House.

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Made in the aftermath of the Second World War, 'Paisa' is constructed as a series of six encounters which take place during the liberation of Italy as Allied troops advance through the country from Sicily to the northern Po Valley, via Rome and Florence.

Shot on location using a non-professional cast alongside actors, the semi-documentary aesthetic and epic sweep of Paisa is both charming and devastating in its portrayal of the final days of war and the confusion that follows in its wake.

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The acclaimed new film tells the startlingly original and brutally honest story of 15 year-old Mia, brilliantly played by winner Katie Jarvis.

A feisty and fiercely independent outsider, Mia is ostracised from her friends and lives uneasily with her volatile mother (Kierston Wareing) in a tough Essex estate from which she longs to escape. But the unexpected arrival of her mother's handsome and charismatic new boyfriend (Michael Fassbender) sparks a catalogue of events that threaten to turn Mia's world upside down.

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Welcome to a bittersweet world of episodic adventures and strange encounters. Welcome to a sordid, nocturnal world of ruthless, callous boyfriends and stray movie stars looking for seedy kicks.

Welcome to the harsh, unforgiving streets of a crumbling Rome where hope can still prevail and dreams cradle the lost. Welcome to the world of Cabiria, a feisty, loud, outspoken and somewhat naïve prostitute waiting for a miracle, and one of the most unforgettable and endearing characters of European cinema. Eventually remade in Hollywood as 'Sweet Charity', 'Nights of Cabiria' is a often humorous, poignant, unflinching and vivid portrait of one woman's picaresque existence and her perseverance through adversity. Starring Fellini's wife, Giulietta Masina, as the irrepressible protagonist, 'Nights of Cabiria' marked Fellini's last foray into gritty neo-realism before venturing into the surreal satire and dream logic of 'La Dolce Vita' and 'Eight and a Half'.

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The actor stars as the impious thief Ahmed who has made a reputation as Baghdad's premiere plunderer. When he falls in love with a beautiful princess (Julanne Johnston) and the two determine to marry, her father the caliph intervenes, forbidding the union.

Thus erupts a chain of circumstances involving a crystal ball, a magic apple, a pegasus, an invisibility cloak... and, of course, a flying carpet.

Set in an austere post-war Britain 'Wish You Were Here' tumbles through the hilarious and outrageous sexual adventures of 15 year old Linda (Emily Lloyd). It is a story of an irrepressible human spirit that refuses to be crushed by her colourless surroundings.

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"All That Jazz" is actually a semi-autobiographical account of the life of its celebrated writer/director/choreographer, Bob Fosse. The multi-talented performer was an Oscar, Tony and Emmy Award winner who brought home a combined total of eight trophies.

Part tragic, part comic, this outrageous look at life in the fast lane is the Academy Award - winning musical about Bob Fosse's excessive life in show business, played by Roy Schneider. Dazzlingly presented, this electrifying story about the perils of pushing yourself too hard is filled with Fosse's legendary song-and-dance choreography.

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Tarzan The Ape Man
"Me Tarzan, you Jane" - The immortal words spoken by Tarzan the Ape Man, as he wins the lady Jane. And when Cheeta made three, the treetop trio won the whole country. As the father of all jungle adventures, Tarzan, The Ape Man, remains the greatest thriller of all time.

Tarzan Escapes
One of the best of the classic series, "Tarzan Escapes" is packed with man-eating excitement, human treachery and jungle love. Johnny Weissmuller and Maureen O'Sulivan star in this daring story of adventure, set deep in the darkest heart of Africa.

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"Challengers" stars Zendaya as Tashi Duncan, a former tennis prodigy turned coach married to a champion on a losing streak. Tashi's strategy for her husband's redemption takes a surprising turn when he must face off against his former best friend, who's also Tashi's former boyfriend.

As their pasts and presents collide and tensions run high, Tashi must ask herself what it will cost to win.

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Legendary director Nicholas Ray began his career with this lyrical film noir, the first in a series of existential genre films overflowing with sympathy for America's outcasts and underdogs.

When the wide-eyed fugitive Bowie (Farley Granger), having broken out of prison with some bank robbers, meets the innocent Keechie (Cathy O'Donnell), each recognizes something in the other that no one else ever has. The young lovers envision a new, decent life together, but as they flee the cops and contend with Bowie's fellow outlaws, who aren't about to let him go straight, they realize there's nowhere left to run. Ray brought an outsider's sensibility honed in the theater to this debut, using revolutionary camera techniques and naturalistic performances to craft a profoundly romantic crime drama that paved the way for decades of lovers-on-the-run thrillers to come.