google's - Rented List

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In acclaimed director Edgar Wright's psychological thriller, Eloise (Thomasin McKenzie), an aspiring fashion designer, is mysteriously able to enter the 1960's, where she encounters a dazzling wannabe singer, Sandie (Anya Taylor-Joy).

But the glamour is not all it appears to be, and the dreams of the past start to crack and splinter into something far darker.

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A Japanese box-office sensation in 1968, Kuroneko is a sparse, atmospheric horror story, adhering to Kaneto Shindo's philosophy of using beauty and purity to evoke emotion.

Eccentric and more overtly supernatural than its breakthrough companion piece, Onibaba (1964), Kuroneko revisits similar themes to reveal a haunting meditation on duty, conformity and love. In this magnificently eerie and romantic film - loosely based on the Japanese folktale The Cat's Return - a mother and daughter-in-law (Nobuko Otowa and Kiwako Taichi) are raped and murdered by pillagers, but return from the dead as vampiric cat spirits intent on revenge. As the ghosts lure soldiers into the bamboo groves, a fearless samurai, Gintoki (Kichiemon Nakamura), is sent to stop their reign of terror.

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This utterly compelling psychological thriller from Michael Haneke - one of cinema's most daring original and controversial directors - stars Daniel Auteuil as Georges, a television presenter who begins to receive mysterious and alarming packages containing covertly filmed videos of himself and his

family. To the mounting consternation of Georges and his wife (Juliette Binoche) the footage on the tapes - which arrive wrapped in drawings of disturbingly violent images - becomes increasingly personal, and sinister anonymous phone calls are made. Convinced he knows the identity of the person responsible, Georges embarks on a rash and impulsive course of action that throws up some unpleasant facts about his past and leads to shockingly unexpected consequences.

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Set at the dawning of the new millennium, this hilarious masterpiece is from the brilliantly offbeat worldview of Swedish filmmaker Roy Andersson, director of the acclaimed 'You, the Living'. Described by critic J.

Hoberman as 'slapstick Ingmar Bergman', this witty yet resonant film unfolds as a series of comic inter-connected vignettes that portray scenes from an urban world which has ground to a halt and whose citizens teeter on the brink of madness.

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An unambitious painter named Gu (Shihjun) lives with his mother in the vicinity of an abandoned mansion rumoured to be haunted.

In actuality, the mansion has become a hiding place for the warrior Yang (Hsu Feng) and her own mother, both taking refuge following the assassination of their loyal minister father by the wicked eunuch Wei of East Chamber. After the eunuch sends an army to pursue the escapees, the group fortify the mansion with traps and false intimations of the terrifying ghosts within. But even after, things take yet more unsettling turns...

When private eye Philip Marlowe (Elliott Gould) is visited by an old friend, this sets in train a series of events in which he's hired to search for a missing novelist (Sterling Hayden) and finds himself on the wrong side of vicious gangsters.

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Offering a caustic immersion into the lives of disaffected junior high students on the cusp of adulthood, 'Typhoon Club' features a lively cast of young talent including idol Youki Kudoh facing existential intrigues, budding sexuality, and rising social tensions in the days leading up to a

typhoon's arrival. Stranded in their schoolhouse as the storm settles in, the group undergoes an awakening as they dispel all insecurities, fear and desire under the swell of the tempest.

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In this wild and incredible tale, young Bella Baxter (Emma Stone) is brought back to live by a brilliant and unorthodox scientist.

Eager to learn and hungry for the worldliness she lacks, Bella runs off on an adventure that inspires in her a fantastical evolution leading to a fierce dedication to equality and liberation.

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Bergman's masterpiece of self-doubt, identity and eroticism is an audacious example of cinematic art. The notional story centres on newly mute actor Elisabet (Liv Ullmann) recuperating at her coastal holiday home in the care of a nurse, Alma (Bibi Andersson).

As tensions between the pair grow, their very selves seem to blur, chronology becomes uncertain and what is real and unreal loses significance. Yet the true impact of Persona goes beyond mere storytelling, touching, as Bergman said, 'wordless secrets that only the cinema can discover'.

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Mitsuha and Taki have never met, but when the frustrated country girl wishes of a life in the big city, they will forge a connection both unexplainable and unforgettable. In their dreams, the two swap lives, cultures and genders as they learn more about, and grow closer to, each other.

What was once a shock becomes a joy-filled double life, but what will happen when they discover the red string of fate tying them together?

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While awaiting her husband's return from war, Grace (Nicole Kidman) and her two young children live an unusually isolated existence behind the locked doors and drawn curtains of a secluded island mansion.

Then, after three mysterious servants arrive and it becomes chillingly clear that there is far more to this house than can be seen, Grace finds herself in a terrifying fight to save her children and keep her sanity.

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Following Pu Yi (John Lone), the last of the Emperor's of China, from his birth in 1908, through his childhood in the fortress-like Forbidden City and his later misguided collaboration with the Japanese in World War II, 'The Last Emperor' tells the history of modern China through the eyes of the

man brought up to believe that he was the country's divine ruler.

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Set in a five-story guesthouse in the middle of a Parisian working class neighbourhood, "Daybreak" opens on the top floor of the building with shouts and a gunshot. A door opens and the body of a man tumbles down the stairs.

As the police start to besiege the building and a crowd gathers, the killer, Francois (Jean Gabin), flees the crime scene and locks himself in his room. After failing to shoot their way into his room the police climb on top of the roof, and Francois, starts to recall previous events... His love for Frangoise (Jacqueline Laurent), the beautiful florist, and her love for Valentin (Jules Berry), the attractive dog trainer. Also starring the renowned Arletty as Clara, Valentin's assistant and suggested lover.

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Melodrama casts noirish shadows in this portrait of maternal sacrifice from Hollywood master Michael Curtiz.

Its iconic performance by Joan Crawford as Mildred, a single mother hell-bent on freeing her children from the stigma of economic hardship, solidified Crawford's career comeback and gave the actor her only Oscar. But as Mildred pulls herself up by the bootstraps, first as an unflappable waitress and eventually as the well-heeled owner of a successful restaurant chain, the ingratitude of her materialistic firstborn (a diabolical Ann Blyth) becomes a venomous serpent's tooth, setting in motion an endless cycle of desperate overtures and heartless recriminations. Recasting James M. Cain's rich psychological novel as a murder mystery, this bitter cocktail of blind parental love and all-American ambition is both unremittingly hard-boiled and sumptuously emotional.

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Kelly plays an ex-GI who loves Paris and loves even more an alluring (but engaged) perfume-shop clerk. Dance sequences spun around Gershwin songs accent Kelly's romantic pursuit. And the final 17-minute ballet - combining the title symphony.

Impressionist set stylings and Kelly's unique talent for telling a story in dance - lifts this winner of six Academy Awards including Best Picture into the ether of timelessness. Love Is Here To Stay Kelly sings. So is An American In Paris.