Blumhouse produces this original and inventive rewinding thriller in which a blissfully self-centered co-ed (Jessica Rothe) is doomed to relive the day of her murder unless she can identify her masked assailant and hopefully stop the madness. If she can't, she will be stuck in an insane loop, reliving a ghoulish nightmare that has become her death day.
"Phone" tells the story of an investigative reporter, Ji-won, who has recently published a controversial article about sex-scandals and has since began receiving a series of menacing phone calls. In an effort to escape the phone calls she changes her number and moves house, but the calls keep coming. When a friends young daughter innocently answers the ringing telephone she begins to exhibit increasingly crazed behaviour. As she tries to unravel the mystery behind the phone calls Ji-won uncovers a secret that will change them all.
Sunday 14 November, 1965 at 10.48am, Lt. Col. Hal Moore (Mel Gibson) and his regiment of 400 men touch down at Landing Zone X-Ray in the la Drang Valley, a place in Vietnam known as "The Valley of Death". They find themselves surrounded by over 2,000 North Vietnamese soldiers and the ensuing battle becomes one of the most savage in US history.
Ten years ago, tragedy struck the Russell family, leaving the lives of teenage siblings Tim and Kaylie forever changed when Tim was convicted of the brutal murder of their parents. Now in his 20s, Tim is newly released from protective custody and only wants to move on with his life; but Kaylie, still haunted by that fateful night, is convinced her parents' deaths were caused by something else altogether: a malevolent supernatural force unleashed through the Lasser Glass, an antique mirror in their childhood home. Determined to prove Tim's innocence, Kaylie tracks down the mirror, only to learn similar deaths have befallen previous owners over the past century. With the mysterious entity now back in their hands, Tim and Kaylie soon find their hold on reality shattered by terrifying hallucinations, and realise, too late, that their childhood nightmare is beginning again...
Elliot Brindle is an ordinary office worker who's bright, bored and drowning in debt. He receives a phone call informing him that he's on a hidden camera game show, where he must execute 13 tasks to receive a sum total cash prize of $6.2M. To begin with the tasks seem innocuous, but before long he's being pushed to the limit, forced in fear for his life to ignore every moral boundary. Trapped into horrors manipulated by unseen spectators, Elliot's need to complete the game escalates as the tasks grow more extreme, to a devastating point of no return.
After 20 years on the British police force, Detective Sergeant Johnson (Sean Connery) has seen too much: 20 years of murders, rapes and countless other violent crimes. One day while interrogating a snide, sarcastic suspect in a child molestation case, all of his pent up anger and hatred surfaces and Johnson loses control, killing the man. What had started out as a routine investigation has turned into a case of police brutality, and Johnson must now attempt to reconcile his own violent behaviour.
Six friends head out on road trip but their drive is cut short when they run into Maya (Imelda Therinne), a strange girl who wanders out of nowhere into their path claiming she's been robbed. The friends decide to give her a ride to her isolated house, deep in the woods. There Maya introduces them to her courteous mother, Dara (Shareefa Daanish), an ageless enigma of a woman who insists that their Good Samaritan act should be repaid with a feast. This is when the night turns into a bloody horror show for the six friends as they find themselves trapped and hunted by Dara, and her three deadly protégés, who have been born and raised to systematically eliminate unsuspecting passersby for one evil reason.
The tragic loss of their unborn child has devastated Kate (Vera Farmiga) and John (Peter Sarsgaard), taking a toll on both their marriage and Kate's fragile psyche as she is plagued by nightmares and haunted by demons from her past. Struggling to regain some semblance of normalcy in their lives, the couple decides to adopt another child. At the local orphanage, both John and Kate find themselves strangely drawn to a young girl named Esther (Isabella Fuhrman). Almost as soon as they welcome Esther into their home, however, an alarming series of events begins to unfold, leading Kate to believe that there's something wrong with Esther—this seemingly angelic little girl is not what she appears to be. Concerned for the safety of her family, Kate tries to get John and others to see past Esther's sweet facade. But her warnings go unheeded until it may be too late...for everyone.
On the streets, cash is called "dead presidents". And that's what down-on-his-luck Vietnam veteran Anthony Curtis is desperate for when he returns home from war - and finds himself drawn into a life of crime. Enlisting the aid of his friends, Anthony plans the ultimate heist - a daring daylight robbery of an armoured car filled with unmarked bills. If successful, he'll never have to worry about money again.
When Oskar Matzerath (the extraordinary David Bennent, just twelve at the time) receives a tin drum for his third birthday, he vows to stop growing there and then - and woe betide anyone who tries to take his beloved drum away from him, as he has a banshee shriek that can shatter glass. As a result, he retains a permanent child's-eye perspective on the rise of Nazism as experienced through petit-bourgeois life in his native Danzig, the 'free city' claimed by both Germany and Poland whose invasion in 1939 helped kick-start World War II. With the help of Luis Bunuel's favourite screenwriter Jean-Claude Carriere, director Volker Schlondorff turns Gunter Grass's magical-realist masterpiece into a carnivalesque frenzy of bizarre, grotesque yet unnervingly compelling images as Oskar turns his increasingly jaded eye and caustic tongue on the insane follies of the adult world that he refuses to join.
An age-old family curse hits sisters Kitty (Barbara Bouchet) and Franziska (Marina Malfatti) following the death of their grandfather Tobias (Rudolf Schündler). Every hundred years, so the legend goes, the bloodthirsty Red Queen returns and claims seven fresh victims. Was Tobias just the first...and are Kitty and Franziska next?
Behind the seemingly perfect Harper household, Greg (Jon Tenney), the lead investigator of a child abduction case, is struggling to come to terms with the recent infidelity of his wife Jackie (Helen Hunt). The already strained family harmony is further threatened when Connor (Judah Lewis), their son, appears to be the victim of a mysterious malevolent presence in their house. As the secrets start to unravel, the plot threads prove to be more interlinked than it would appear at first glance. Packed with audacious plot twists, beautifully orchestrated narrative flips and an outstanding lead performance by Helen Hunt, 'I See You' is an eerie gem, where nothing is as it seems and the terrible truth behind a family's dark secrets might just be hiding in plain sight.
When elderly mother Edna (Robyn Nevin), inexplicably vanishes, her daughter Kay (Emily Mortimer) and granddaughter Sam (Bella Heathcote) rush to their family's decaying country home. When Edna returns her behaviour is strangely volatile.
Into The Wild is inspired by the true story of Christopher McCandless (Emile Hirsch), a young man who abandons his life of comfort to pursue the freedom of life on the road, a quest that leads him to the Alaskan wilderness and the ultimate challenge of his life.
From Lucio Fulci, the director of New York Ripper, comes his utterly bizarre descent into a surreal world of creepy kids, Egyptology, flesh tearing birds, walls that bleed, creepy tombs and much more! A succinct plot synopsis is frankly near impossible but here goes: There's a possessed Egyptian amulet, what looks like a gate to hell and rip-off moments from a variety of classic genre films including The Exorcist, The Awakening, The Birds, The Omen and most notably Rosemary's Baby. Despite the dubious plotting Fulci was at the height of his powers when he made this highly atmospheric and stunningly shot horror film that makes up in classic set pieces and pierced eyeballs what it lacks in coherence!
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