Ten years ago, tragedy struck the Russell family, leaving the lives of teenage siblings Tim and Kaylie forever changed when Tim was convicted of the brutal murder of their parents. Now in his 20s, Tim is newly released from protective custody and only wants to move on with his life; but Kaylie, still haunted by that fateful night, is convinced her parents' deaths were caused by something else altogether: a malevolent supernatural force unleashed through the Lasser Glass, an antique mirror in their childhood home. Determined to prove Tim's innocence, Kaylie tracks down the mirror, only to learn similar deaths have befallen previous owners over the past century. With the mysterious entity now back in their hands, Tim and Kaylie soon find their hold on reality shattered by terrifying hallucinations, and realise, too late, that their childhood nightmare is beginning again...
Elliot Brindle is an ordinary office worker who's bright, bored and drowning in debt. He receives a phone call informing him that he's on a hidden camera game show, where he must execute 13 tasks to receive a sum total cash prize of $6.2M. To begin with the tasks seem innocuous, but before long he's being pushed to the limit, forced in fear for his life to ignore every moral boundary. Trapped into horrors manipulated by unseen spectators, Elliot's need to complete the game escalates as the tasks grow more extreme, to a devastating point of no return.
After 20 years on the British police force, Detective Sergeant Johnson (Sean Connery) has seen too much: 20 years of murders, rapes and countless other violent crimes. One day while interrogating a snide, sarcastic suspect in a child molestation case, all of his pent up anger and hatred surfaces and Johnson loses control, killing the man. What had started out as a routine investigation has turned into a case of police brutality, and Johnson must now attempt to reconcile his own violent behaviour.
Six friends head out on road trip but their drive is cut short when they run into Maya (Imelda Therinne), a strange girl who wanders out of nowhere into their path claiming she's been robbed. The friends decide to give her a ride to her isolated house, deep in the woods. There Maya introduces them to her courteous mother, Dara (Shareefa Daanish), an ageless enigma of a woman who insists that their Good Samaritan act should be repaid with a feast. This is when the night turns into a bloody horror show for the six friends as they find themselves trapped and hunted by Dara, and her three deadly protégés, who have been born and raised to systematically eliminate unsuspecting passersby for one evil reason.
The tragic loss of their unborn child has devastated Kate (Vera Farmiga) and John (Peter Sarsgaard), taking a toll on both their marriage and Kate's fragile psyche as she is plagued by nightmares and haunted by demons from her past. Struggling to regain some semblance of normalcy in their lives, the couple decides to adopt another child. At the local orphanage, both John and Kate find themselves strangely drawn to a young girl named Esther (Isabella Fuhrman). Almost as soon as they welcome Esther into their home, however, an alarming series of events begins to unfold, leading Kate to believe that there's something wrong with Esther—this seemingly angelic little girl is not what she appears to be. Concerned for the safety of her family, Kate tries to get John and others to see past Esther's sweet facade. But her warnings go unheeded until it may be too late...for everyone.
On the streets, cash is called "dead presidents". And that's what down-on-his-luck Vietnam veteran Anthony Curtis is desperate for when he returns home from war - and finds himself drawn into a life of crime. Enlisting the aid of his friends, Anthony plans the ultimate heist - a daring daylight robbery of an armoured car filled with unmarked bills. If successful, he'll never have to worry about money again.
When Oskar Matzerath (the extraordinary David Bennent, just twelve at the time) receives a tin drum for his third birthday, he vows to stop growing there and then - and woe betide anyone who tries to take his beloved drum away from him, as he has a banshee shriek that can shatter glass. As a result, he retains a permanent child's-eye perspective on the rise of Nazism as experienced through petit-bourgeois life in his native Danzig, the 'free city' claimed by both Germany and Poland whose invasion in 1939 helped kick-start World War II. With the help of Luis Bunuel's favourite screenwriter Jean-Claude Carriere, director Volker Schlondorff turns Gunter Grass's magical-realist masterpiece into a carnivalesque frenzy of bizarre, grotesque yet unnervingly compelling images as Oskar turns his increasingly jaded eye and caustic tongue on the insane follies of the adult world that he refuses to join.
An age-old family curse hits sisters Kitty (Barbara Bouchet) and Franziska (Marina Malfatti) following the death of their grandfather Tobias (Rudolf Schündler). Every hundred years, so the legend goes, the bloodthirsty Red Queen returns and claims seven fresh victims. Was Tobias just the first...and are Kitty and Franziska next?
Behind the seemingly perfect Harper household, Greg (Jon Tenney), the lead investigator of a child abduction case, is struggling to come to terms with the recent infidelity of his wife Jackie (Helen Hunt). The already strained family harmony is further threatened when Connor (Judah Lewis), their son, appears to be the victim of a mysterious malevolent presence in their house. As the secrets start to unravel, the plot threads prove to be more interlinked than it would appear at first glance. Packed with audacious plot twists, beautifully orchestrated narrative flips and an outstanding lead performance by Helen Hunt, 'I See You' is an eerie gem, where nothing is as it seems and the terrible truth behind a family's dark secrets might just be hiding in plain sight.
When elderly mother Edna (Robyn Nevin), inexplicably vanishes, her daughter Kay (Emily Mortimer) and granddaughter Sam (Bella Heathcote) rush to their family's decaying country home. When Edna returns her behaviour is strangely volatile.
Into The Wild is inspired by the true story of Christopher McCandless (Emile Hirsch), a young man who abandons his life of comfort to pursue the freedom of life on the road, a quest that leads him to the Alaskan wilderness and the ultimate challenge of his life.
From Lucio Fulci, the director of New York Ripper, comes his utterly bizarre descent into a surreal world of creepy kids, Egyptology, flesh tearing birds, walls that bleed, creepy tombs and much more! A succinct plot synopsis is frankly near impossible but here goes: There's a possessed Egyptian amulet, what looks like a gate to hell and rip-off moments from a variety of classic genre films including The Exorcist, The Awakening, The Birds, The Omen and most notably Rosemary's Baby. Despite the dubious plotting Fulci was at the height of his powers when he made this highly atmospheric and stunningly shot horror film that makes up in classic set pieces and pierced eyeballs what it lacks in coherence!
Violence begets violence in this explosive western that pits marauding Apaches against weary Indian fighters and native U.S. cavalrymen. Burt Lancaster stars in this sharply written, fact-based story as a scout assigned to aid the cavalry in tracking down Ulzana and his band of renegade Indians. As the trail gets hotter, Lancaster attempts to teach an idealistic young lieutenant that the only way to fight the Apaches' escalating brutality and violence is with even stronger force. Robert Aldrich directs this gritty action epic sure to excite both sense and the intellect.
Set in the early 1950's, the film charts an imagined chapter in the life of Jackson (Elisabeth Moss), who has recently become a literary sensation. When her philandering professor husband (Michael Stuhlbarg) invites a newlywed couple into their home, the reclusive writer is forced to change her routine, which heightens tensions in their already tempestuous household. This change acts as a catalyst, sparking inspiration for the anxiety-prone writer. As she becomes enamoured with Rose (Odessa Young), her unsuspecting new muse, Shirley's obsession plunges her into a quasi-delirium, awakening a repressed femininity that could inspire her next masterpiece.
'The Seasoning House' is a soulless place where young girls are bought and sold for men's pleasure.
Here we meet Angel (Rosie Day), a young, orphaned girl enslaved by Viktor (Kevin Howarth). Unbeknownst to her master, she moves between the walls and crawlspaces of the house - silently observing, learning and planning for her escape. When her closest confident is savagely killed, Angel can no longer contain her rage and sets out through t both ingenuity and brutality to seek justice.
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