When her father jumps bail, 17 year-old Ree Dolly faces losing the home put up as his bond, where she lives with her invalid mother and younger siblings. With no choice but to track him down in the harsh environs of the Ozark mountains, she looks to his friends and relatives for clues, only to be met with threats and a hostile wall of silence. Undeterred, Ree risks her life to piece together the shocking truth.
Black Power Mixtape 1967-1975 is a compilation film featuring extraordinary documentary footage of the Black Panthers in the late 60's, set to a soundtrack from Questlove and Om'Mas Keith and new commentary from the likes of Talib Kweli, Questlove and Erykah Badu. Unearthed from a basement, the footage contains intimate interviews alongside rousing speeches from Stokely Carmichael and black power activist Angela Davis whose imprisonment is captured on camera. For all its archival footage, this is a very contemporary piece of work that shines new light on one of the most important political movements to emerge in the last century.
William O'Neal (LaKeith Stanfield), a thief turned FBI informant, infiltrates the Illinois Black Panthers to track their charismatic leader, Fred Hampton (Daniel Kaluuya), whose rising political prowess has captured the attention of J. Edgar Hoover's bureau. As O'Neal manipulates both his comrades and handler, a battle wages in his soul. Will he align with the side of good - or follow commands to subdue Hampton by any means?
Led by Stephen Meek (Bruce Greenwood) the families are soon lost and start to mistrust each other and their guide. After, days of wandering in the inhospitable landscape and becoming more disorientated, a Native American crosses their path. The group must decide if they can trust this man to lead them to water or a more sinister fate.
Koichi Nishi (Toshiro Mifune) is a grieving son seeking revenge for the 'suicide' of his father. By assuming a new identity he rises through the ranks of the Public Corporation and cynically marries the President's daughter to better infiltrate the company and expose the corrupt practice that was responsible for his father's death. However, as Koichi falls in love with his wife, disaster looms.
"Show Me Love" is the comic and heartbreaking story of Agnes (Rebecka Liljeberg), Elin (Alexandra Dahlström) and their teenage friends growing up in the small town of Amal. Nothing ever happens until Elin snows up at Agnes' birthday party and Elm's life takes an unexpected turn. Stuck in the middle of two love interests, Elin tries to come to terms with her real self - and the courage it takes to be different.
The expanses of the American West take center stage in this intimately observed triptych from Kelly Reichardt. Adapted from three short stories by Maile Meloy and unfolding in self-contained but interlocking episodes, Certain Women navigates the subtle shifts in personal desire and social expectation that unsettle the circumscribed lives of its characters: a lawyer (Laura Dern) forced to subdue a troubled client; a wife and mother (Michelle Williams) whose plans to construct her dream home reveal fissures in her marriage; and a night-school teacher (Kristen Stewart) who forms a tenuous bond with a lonely ranch hand (Lily Gladstone), whose longing for connection delivers an unexpected jolt of emotional imm ediacy. With unassuming craft, Reichardt captures the rhythms of daily life in smalltown Montana through these fine-grained portraits of women trapped within the landscape's wide-open spaces.
A tender and sweeping story about what roots us, 'Minari' follows a Korean-American family that moves to a tiny Arkansas farm in search of their own American Dream. The family home changes completely with the arrival of their sly, foul-mouthed, but incredibly loving grandmother. Amidst the instability and challenges of this new life in the rugged Ozarks, 'Minari' shows the undeniable resilience of family and what really makes a home.
Award-winning director Kelly Reichardt (Meek's Cutoff, Wendy and Lucy) returns with the eagerly awaited 'First Cow', a gripping and glorious story of friendship, petty crime and the pursuit of the American dream on the harsh frontier of the Pacific Northwest. In 1820's Oregon, two loners team up to seek their fortune through a scheme to steal milk from the wealthy landowner's prized Jersey cow - the first, and only, in the territory. A true masterpiece from one of the great modern American filmmakers.
Andrew Dominik's one more time with feeling is a remarkable black and white documentary which chronicles the creation of Nick Cave and The Bad Seeds' album 'Skeleton Tree'. Originally a performance based concept, the film evolved into something much more significant as Dominik delved into the tragic backdrop of the writing and recording of the album. The result is stark, fragile and raw, and a true testament to an artist trying to find his way through the darkness.
Abbas Kiarostami is indubitably one of the most important film-makers in the world, and this, his second made outside Iran, is set in Japan.
A student moonlighting as an escort goes to visit a client who is more interested in talking, and who the next day takes on the role of her grandfather when confronted by her jealous boyfriend.
It pays homage to the tradition of Ozu, but is very much a typical Kiarostami work with its oblique narrative, mistaken and assumed identies, and masterful sleights-of-hand upending the audience's assumptions.
'Do we get stupider as we grow up?' In his wildly popular Broadway show 'American Utopia', David Byrne reflects on human connections, life and how on earth we work through it. He joins the dots with his music and it all starts making sense. Spike Lee here transforms the production into immersive, dynamic cinema that radiates with astounding performances, inventive contemporary dance and political urgency. 'American Utopia' flows like an iridescent dream vision. Work by James Baldwin, Janelle Monáe and Kurt Schwitters is highlighted among exhilarating renditions of Byrne's solo work, as well as Talking Heads classics. According to the multi-hyphenate, we love looking at humans more than anything else. Anti-fascist and anti-racist, Byrne illuminates our responsibility to care for one another as he and his co-performers burn down the house.
In Upstate New York, Irene (Vera Farmiga) struggles to raise two sons, keep her stale marriage together and manage a secret cocaine habit. Isolated by the strip malls and dying small towns that define the area, Irene's not sure when she went from high school partying to skimming off the grocery money to supply her growing habit - but it's about to end abruptly. Desperate to alter her life, she puts herself in rehab, hoping that she can turn around the world she has made with her husband, Steve (Clint Jordan). But once she's back home the distance between them seems to have grown and Irene ends up falling into an incendiary affair with Bob (Hugh Dillon), a nurse and former addict that she met at rehab. His attention and affection awakens her pushed aside life, but all too soon she realizes they have more in common than she bargained for.
Josh has failed at being a musician in NYC. Josh has failed at being a booking agent. Josh's life is pretty much in the toilet. When he tries to figure out where it all went wrong he comes up with an idea that would be a small, yet life-changing victory. He decides to purchase a 1985 Lazy Boy on EBay, just like the one from his childhood living room, and deliver it cross-country to his father as a surprise birthday gift. Things immediately get complicated when his girlfriend Emily wants to come, especially when she wants to have the "where do we stand" in their relationship conversation. When his pseudo-granola brother, Rhett, begs to join them on their adventure it quickly becomes three very different people and a giant purple puffy chair in a too-small van and one of them has to go before the trip's end. Things immediately get complicated when his girlfriend Emily wants to come, especially when she wants to have the "where do we stand" in their relationship conversation. When his pseudo-granola brother, Rhett, begs to join them on their adventure it quickly becomes three very different people and a giant purple puffy chair in a too-small van and one of them has to go before the trip's end.
"Old Joy" is the story of two old friends, Kurt and Mark, who reunite for a weekend camping trip in the mountains in Portland, Oregon. The trip signifies different things to them - for Mark a respite from imminent fatherhood, for Kurt a part of along series of adventures. As the trip progresses and the landscape changes, the friends begin to examine their lives and their friendship.
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