In this never-before-seen Director's Cut, the doors of the world's imagination are thrown wide open and the boys of South Park are transported to a magical realm in their greatest odyssey ever. Stan, Kyle, and Butters find themselves in Imagination Land just as terrorists launch an attack that unleashes all of mankind's most evil characters imaginable. With the world's imaginations spinning out of control, the government prepares to nuke Imagination Land to put an end to the chaos. Racing against time to prevent nuclear annihilation, the citizens of Imagination Land realize their only hope of salvation lies in the mind of the unlikeliest of heroes: Butters. Ignoring the impending apocalypse, Cartman goes all the way to the Supreme Court to get justice for his case of dry balls.
12:08pm on the 22 December 1989 was the exact time of Ceausescu's fall from power in Romania. Sixteen years on, a provincial TV talk show decides to commemorate the event by asking local heroes to reminisce about their own contributions to the revolution. But securing suitable guests proves an unexpected challenge and the producer is left with two less than ideal participants - a drink-addled history teacher and a retired and lonely sometime-Santa Claus grateful for the company. In the farcical show that follows, the men's fanciful boasts of rebellious glory are hilariously disputed by phone-ins from viewers who recall an altogether different version of events. With entertainingly wry humour, Corneliu Porumboiu's debut feature sharply satirises the short memories and inconsistencies of post-revolutionary Romania.
Based on an extraordinary true story, "Pride" tells how a group of London-based gay and lesbian activists raised money to support the families of miners during the strike of 1984. Identifying a mining village in Wales, they set off to make their donation in person, and in so doing inspired "the Best British film in years".
"Climates" is an existentialist epic that acutely observes a disintegrating relationship with an intense, unflinching eye over the course of three seasons. Acclaimed Turkish filmmaker Nuri Bilge Ceylan writes, directs and stars along with his wife Ebru Ceylan as a couple in pursuit of a happiness that no longer belongs to them. Brilliantly acted and stunningly photographed, 'Climates' is moving, painfully honest and riveting cinema from a masterly director at the height of his powers.
Eyup (Yavuz Bingöl) takes the blame for his politician boss, Servet (Ercan Kesal), after a hit and run accident. In return, he accepts a pay-off, believing it will make life for his wife Hacer (Hatice Aslan) and teenage son more secure. Wanting to help her son, Hacer approaches Servet for an advance, but soon gets involved with him.
The 2014 Cannes Palme d'Or winner from Nuri Bilge Ceylan is set in the hilly landscape of Cappadocia in Central Anatolia. A former actor, Aydin (Haluk Bilginer), owns a small hotel cut into the hillside, which he runs with his younger wife Nihal (Melisa Sozen). He has also inherited local properties, but leaves the business of rent collection to his agent. When a local boy, resentful of his father's humiliation by Aydin's agent, throws a stone at a jeep whilst Aydin and his agent are driving in it, Aydin ducks out of any responsibility or involvement. As the film progresses, the cocoon in which this self-satisfied man has wrapped himself is gradually unravelled. In a series of magnificent set-pieces, Aydin is exposed in his encounters with his wife, sister, and the family of the stone-throwing boy. He is finally brought face-to-face with who he truly is.
Nuri Bilge Ceylan's critically acclaimed film tells the story of middle-aged photographer Mahmut, who is obliged to put up in his Istanbul apartment his unemployed young cousin Yusuf, who has left his home village in search of work. Haunted by the feeling that the gap between his life and his ideals is growing. Mahmut grows increasingly irritated by his provincial young relative's encroachment into his closed and colourless world. With great wit and subtlety, 'Uzak' explores the isolation of city life and features outstanding performances from Muzaffer Ozdemir as Mahmut and Mehmet Emin Toprak as Yusuf. Tragically, Toprak was killed in a car accident shortly after completion of filming; he posthumously won, jointly with Ozdemir, the Best Actor prize at Cannes in 2003.
"An Angel at My Table" is the internationally acclaimed second film by Oscar-winning director Jane Campion. It is an extraordinarily moving celebration of the life of Janet Frame, New Zealand's most distinguished author, based on her autobiographical trilogy. The film follows Janet through her poor childhood in the depression and her growing fascination with literature; her painfully shy student days and subsequent treatment for misdiagnosed schizophrenia; and finally on her travels to Europe where she samples Bohemian life and achieves international success as a writer.
Life for Bogdan couldn't seem more blissful, with a vacation by the sea along with his gorgeous wife and adorable young son. He has grown up and the days of glorious drinking trips and sexual adventures are long gone... But when Bogdan unexpectedly runs into his best friends from high school, vivid memories immediately come flooding back. Suddenly, he hears the wild call of bachelor life. Torn between his family obligations and the lure of a fun night out with his old friends, Bogdan - or Boogie, as he was known back then- comes to a realisation. The gaps between his childhood pals have grown wider. Friendship, it seems, can no longer be based on common tastes in women, beer, or football teams.
Zhang Zili wasn't always a badly paid security guard. He was once one of the best detectives on the police force. That is until injuries sustained during an investigation into a gruesome and unsolved murder case forced him into early retirement. That was five years ago and the killings have started again. Determined to track down the killer, Zhang is drawn towards a mysterious woman seemingly connected to each victim. But nothing is what it appears to be...
A man finds himself in love with two women. Paul (Mimi Branescu) is successful and married to Adriana (Mirela Oprisor) but is having an affair with the younger Raluca (Maria Popistasu). In the days leading to Christmas, Paul decides he needs to choose between his two lives. Radu Muntean's frank, resonant and highly acclaimed film examines the emotional impact of adultery upon its three participants.
Searching for the Wrong-Eyed Jesus is a captivating and compelling road trip through contemporary Southern America, a marginalised world of unique and intense homemade culture. Singer Jim White takes his muscle car through a gritty terrain of churches, prisons, truck stops, biker bars and coal mines, where everybody has a story in some form, almost invariably of sudden death, sin or redemption - yet all transformed by the characteristic grim humour and natural eloquence of the Southern imagination. Along the way are roadside encounters with present-day musical mavericks including the Handsome Family, Johnny Dowd, David Eugene Edwards and David Johansen; old time banjo player Lee Sexton; Rockabilly and mountain Gospel churches - and novelist Harry Crews telling grisly stories down a dirt track. And all the while, a strange Southern Jesus looms in the background.
Hunger follows life in the Maze Prison, Northern Ireland shortly before and during the infamous 1981 IRA hunger strike led by Bobby Sands. With and epic eye for the detail, the film provides a timely exploration of the final act of desperation, when the human body is the last and ultimate resources for protest.
During the year 1961, the influential German-Jewish philosopher Hannah Arendnt reported for the 'New Yorker' magazine on the Nazi war crimes trial of Adolf Eichmann. Her articles introducing her now-famous concept of the "Banality of Evil" triggered off an unprecedented controversy. Using footage from the actual Eichmann trial and weaving a narrative that spans three countries, Margarethe von Trotta turns the often invisible passion for thought into immersive dramatic cinema.
An alien entity inhabits the earthly form of a seductive young woman who combs the Scottish highways in search of the human prey it is here to plunder. It lures its isolated and forsaken male victims into an otherworldly dimension where they are stripped and consumed. But life in all its complexity starts to change the alien. It begins to see itself as 'she', as human, with tragic and terrifying consequence. 'Under the Skin' is about seeing ourselves through alien eyes.
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