From Damien Chazelle, 'Babylon' is an original epic set in 1920s Los Angeles led by Brad Pitt, Margot Robbie and Diego Calva, with an ensemble cast including Jovan Adepo, Li Jun Li and Jean Smart. A tale of outsized ambition and outrageous excess, it traces the rise and fall of multiple characters during an era of unbridled decadence and depravity in early Hollywood.
The stunning debut from Scottish writer-director Charlotte Wells, 'Aftersun' juxtaposes a hopeful coming-of-age story with a poignant, intimate family portrait that leaves an indelible impression. At a fading vacation resort in the late 1990's, 11-year-old Sophie (Frankie Corio) treasures rare time together with her loving and idealistic father, Calum (Paul Mescal). As a world of adolescence creeps into view, beyond her eye Calum struggles under the weight of life outside of fatherhood. Twenty years later, Sophie's tender recollections of their last holiday become a powerful and heartrending portrait of their relationship, as she tries to reconcile the father, she knew with the man she didn't, in Charlotte Wells' superb and searingly emotional debut film.
Driving across endless miles of rugged landscape, a family navigates a long road trip alongside a range of conflicting emotions. Dad's (Mohammad Hassan Madjooni)'s got a broken leg and a mood to match whilst Mum (Pantea Panahiha) fusses over her two children and their pet dog. And when he's not drawing on the car windows, their energetic youngest son (Rayan Sarlak) couldn't be louder as he sings along to the car radio whilst his elder brother (Amin Simiar) tries to concentrate on the road ahead. As the journey twists and turns and their destination draws ever closer, the chaotic claustrophobia in the car grows as does the love and affection they have for each other. Accompanied by a brilliant soundtrack, Panah Panahi's thrilling debut feature is a treasure; tender, quirky, and laugh-out-loud funny. Get ready to take an unmissable journey along the dusty road of life.
The Fabelmans (2022)Untitled Steven Spielberg/Amblin Partners Project / Untitled Steven Spielberg Project
Inspired by Steven Spielberg's own childhood, rediscover the magic of movies in 'The Fabelmans', a coming-of-age story about a young man uncovering a shattering family secret and the power of film and imagination to help us see the truth about ourselves and each other. With a star-studded cast featuring Michelle Williams, Paul Daho, Seth Rogen, Gabriel LaBelle and Judd Hirsch, 'The Fabelmans' tells a timeless tale of heartbreak, healing, and hope for the dreamer inside all of us.
On a rainy night in Busan, So-young (Lee 'IU' Ji-eun) leaves her baby outside a 'baby box', a safe place set up in Korean churches for new mothers to leave unwanted infants. Instead, he's picked up by Sang-hyun (Song Kang-ho) who runs an unofficial adoption brokerage and plans to find him a new home. So-young tracks down both Sang-hyun and his business partner (Gang Dong-won) and decides to join their pursuit - unaware they're being tailed by two detectives (Doona Bae, Lee Joo-young) who are determined to stop them.
Welcome to the Sonic Catering Institute, a creative retreat for artists whose work occupies a place somewhere between avant-garde music and outre cuisine. Run by the eccentric Jan Stevens (Gwendoline Christie), the three-week workshop is playing host to a three-piece outfit comprising the severe and unbending Elie di Elie (Fatma Mohamed), the troubled Lamina Propria (Ariane Labed) and the electronically-obsessed Billy Rubin (Asa Butterfield). Their journey at the institute is documented by "dossierge" Stones (Makis Papadimitriou), whose digestive troubles are as turbulent as the creations his subjects are producing. But relations between the band members are deteriorating, their host's psyche is unravelling and the in-house doctor (Richard Bremmer) is driving everyone to distraction with his classical text pedantry.
What happens when an object of suspicion becomes a case of obsession? When detective Hae-joon (Park Hae-il) arrives on the murder scene, he begins to suspect the dead man's wife Seo-rae (Tang Wei) may know more than she initially lets on. But as he digs deeper into the investigation, Hae-joon finds himself trapped in a web of deception and desire, proving that the darkest mysteries lurk inside the human heart.
A woman from Scotland, while traveling in Colombia, begins to notice strange sounds. Jessica Holland, who, after hearing a loud 'bang' at daybreak, begins experiencing a mysterious sensory syndrome while traversing the jungles of Colombia. She experiences auditory hallucinations and tries to find the sources of the sounds causing her insomnia. Soon, she begins to confront the unsettling sights and sounds that call her identity into question.
From Paul Thomas Anderson and Thomas Pynchon, it's the tail end of the psychedelic '60s and paranoia is running the day from the desert to the sea of sunny Southern California. With a cast of characters that includes surfers, hustlers, dopers and rockers, a murderous loan shark, the FBI, LAPD detectives, a tenor sax player working undercover, a group of Beverly Hills dentists and a mysterious entity called The Golden Fang, everything's gone from "groovy" to "where you at, man?" in what seems like a matter of moments. So when private eye Doc Sportello's ex-old lady Shasta Fay shows up at his door with a story about her current billionaire land-developer boyfriend and his wife and her boyfriend...well it all starts to get a little peculiar after that. Maybe you'll just want to see the movie?
Robert (Daniel Zolghadri) believes that to be an artist is to suffer. So, he gives up on his affluent Princeton upbringing and drops out of high school in favour of life in a stuffy New Jersey apartment to really commit himself to his art. Robert sustains his new lifestyle by working part-time at the comic store, and part-time at the office of a public defender. It is there he first meets Wallace (Matthew Maher), who, Robert finds out, once worked as a colour separator for the legendary Image Comics. Ignoring Wallace's borderline-deranged personality, Robert becomes besotted, leading him down a chaotic path of misadventures.
Emerging from the primordial soup of glamour, gutter sleaze, and feverish creativity that was New York's 1960s underground culture, the Velvet Underground redefined music with its at once raw and exalted blend of experimentation and art-damaged rock and roll. In his kaleidoscopic documentary 'The Velvet Underground', Todd Haynes vividly evokes the band's incandescent world: the creative origins of the twin visionaries Lou Reed and John Cale, Andy Warhol's fabled Factory, and the explosive tension between pop and the avant-garde that propelled the group and ultimately consumed it. Never-before-seen performances, interviews, rare recordings, and mind-blowing transmissions from the era's experimental cinema scene come together in an ecstatic swirl of sound and image that is to the traditional music documentary what the Velvets were to rock: utterly revolutionary.
Acclaimed filmmaker Joachim Trier returns with 'The Worst Person in the World', a wistful and subversive romantic drama about the quest for love and meaning. Set in contemporary Oslo, it features a star-making lead performance from Renate Reinsve as a young woman who, on the verge of turning thirty, navigates multiple love affairs, existential uncertainty and career dissatisfaction as she slowly starts deciding what she wants to do, who she wants to be, and ultimately who she wants to become. As much a formally playful character study as it is a poignant and perceptive observation of quarter-life angst, this life-affirming coming of age story...
From visionary director Robert Eggers comes 'The Northman', an action-filled epic that follows a young Viking prince on his quest to avenge his father's murder.
In 1961, Kempton Bunton (Jim Broadbent), a 60 year old taxi driver, stole Goya's portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery's history. Kempton sent ransom notes saying that he would return the painting on condition that the government invested more in care for the elderly - he had long campaigned for pensioners to receive free television. What happened next became the stuff of legend. Only 50 years later did the full story emerge - Kempton had spun a web of lies. The only truth was that he was a good man, determined to change the world and save his marriage - how and why he used the Duke to achieve that is a wonderfully uplifting tale.
Lady Constance Chatterley (Holliday Grainger) enjoys a happy marriage to the dashing aristocrat Sir Clifford Chatterley (James Norton), until he is severely wounded serving in the First World War. Confined to a wheelchair and impotent, Clifford becomes more distant, and Constance finds comfort in the company of the estate's brooding, lonely gamekeeper, Oliver Mellors (Richard Madden). In the England of the 1920s, the social divide between the upper class and their servants was unbreakable: an affair between a lady and a working man would scandalise society and ostracise them both. Lady Chatterley must choose between propriety and love, while Mellors risks his safety, as they both strive to evade the growing suspicions of her jealous and vengeful husband.
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